"Then you will start on that tomorrow morning. You may be luckier than Saul and Fred and Orrie, but they will continue at it too. We'll finish that job before we try something else. Some of the women are surely young and personable. Don't overwork."
"I won't." I gazed at him admiringly. "It's uncanny, these flashes of inspiration you get. Absolutely brilliant!"
He exploded. "Confound it, what have I got? Get me something! Will you get me something?"
"Certainly." I was composed. "Drink your beer."
So the next day, Monday, after finishing the morning office chores, I took a geographical section of the list Saul and I had compiled, and went at it. The other three had covered downtown Manhattan up to Fourteenth Street, the Grand Central section, and the West Side from Fourteenth to Forty-second. That day Fred was in Brooklyn, Orrie in the Bronx, and Saul on the East Side. I took the West Side from Forty-second Street up. '¦"¦*
At ten-thirty I was in bedlam, having entered through a door inscribed broadway stenographic service. In a room big enough to accommodate comfortably five typewriter desks and typists, double that number were squeezed in, hitting the
keys at about twice my normal speed. I was yelling at a dame with a frontage that would have made a good bookshelf. "A woman like you should have a private room!" "I have," she said haughtily, and led me through a door in a partition to a cubbyhole. Since the partition was only six feet high, the racket bounced down on us off the ceiling. Two minutes later the woman was telling me, "We don't give out any information about clients. Our business is strictly confidential."
I had given her my business card. "So is ours!" I shouted. "Look, it's quite simple. Our client is a reputable firm of book publishers. They have a manuscript of a novel that was submitted to them, and they're enthusiastic about it and want to publish it, but the page of the script that had the author's name and address got lost somehow and can't be found. They remember the author's name, Baird Archer, but not the address, and they want to get in touch with him. They might not be so anxious if they didn't want to publish the novel, but they do. His name is not in any phone book. The manuscript came in the mail, unsolicited. They've advertised and got no answer. All I want to know, did you type a manuscript of a novel for a man named Baird Archer, probably last September? Sometime around then? The title of the novel was 'Put Not Your Trust.'"