It’s time for the skate, a fish he’s not so fond of. He empties a big bag of large wings into the sink, about thirty-five pounds in all, and immediately starts washing them with cold water. Skate are slimy, delicate, highly perishable, and loaded with transparent bits of cartilage, which, if left inadvertently inside, could do serious damage to the inside of your mouth or throat. Picture an airplane with fat wings. Top side of each wing is a thick filet. On the underside, another, thinner one. The perimeters of each wing bristle with little bones, and between the top and bottom filets is a barrier of thin, flexible, dangerously translucent, cartilagenous spokes, like the buttress of a church—and about as unpleasant to bite into.
Justo picks up the chef ’s knife. “I sharpen myself. Once a week.”
I can’t help asking, “Once a week?”
For a guy as scrupulous as Justo, that seems like a long time to go between sharpenings. Cooks much less conscientious than he labor over their blades on a daily basis. The very essence of knife maintenance—a notion inextricably tied up with one’s self-image as a cook—is that the sharper the knife, the better.
Not necessarily, explains Justo. “I like medium sharp,” he says, pointing out the cartilage of the skate as an extreme example of his principle. “Too sharp? You get part of the bone. When it’s sharpened
One could be forgiven for asking about City Harvest—an organization with whom Eric Ripert works very closely and actively raises a lot money.
It occurs to me that a worthwhile endeavor for a charitable organization might be the creation of a flying squad of ex-convict or ex-substance-abusing trainee fish-butchers—who could pick up and quickly trim out every scrap of useable fish from contributing restaurants. They could probably feed a whole hell of a lot of people. If perishability is a problem, perhaps they could quickly puree the stuff on site—prepare and freeze Asian-style fishballs and fish cakes by the thousands. (Note to self: talk to Eric about this idea.)