‘So, you killed your own friends.’
‘There was no love lost between us. They were always treating me like a junior, even though it was me who brought in most of the money. No, I was happy to get rid of them.’
‘And me as well?’
He smiled ruefully. ‘Sorry, Sean, that was just business. I always liked you.’
‘But last night when I found you in the cellar, you were bleeding . . . I thought you were dead. Was that all fake as well?’
He shook his head. ‘No, it wasn’t. That slippery toe-rag Kent got free. While you were locked away, and Ty was off burying the guns, I got rid of Haddock, then went down to the cellar to find out what Kent had done with that film he was meant to have taken. As soon as I showed him the hammer and knife I was going to use on him, he started blabbing. He told me he’d only kept one copy, and that was on a USB stick that was attached to a bunch of keys he’d had on him when he was nicked. Fancy that, eh? It was in some store cupboard in the cop shop and no one had spotted it.
‘Anyway, when I went over with a knife to finish Kent off – nice and quiet because I didn’t want anyone hearing – I got a bit of a shock. The bastard wasn’t as well taped to the chair as I’d thought. He’d managed to get an arm free, and as I bent down he lashed out and got it out of my hand. Just like that. He was so damn quick, by the time I knew what was happening he was out of the chair and on me. He would have killed me too, if it hadn’t been for you turning up.’
‘So I saved your neck.’
‘Yeah,’ he said with a small smile.
‘You did.’ ‘You didn’t have to kill these two,’ I said, motioning towards Dougie and Billy, and feeling the anger build in me.
‘I couldn’t risk letting either of them go. The kid had seen me, and it wouldn’t have taken the cops long to realize that the old man was the one who’d lifted the stick from the station and put stuff in Kent’s drink in the cells. He was a loose end.’
I swallowed hard. Dougie had been a good man and he’d done a lot for me over the years. I wasn’t going to allow Tommy to get away with this.
‘Where is the stick?’
‘I destroyed it.’
‘And you didn’t even want to know what was on it? I don’t believe you, Tommy. I think you do.’
‘I’m a pro, Sean. I don’t ask questions that don’t concern me. Neither should you. That way you’ll stay alive and live to a ripe old age. Now, I’m walking out of here, and I suggest you do too.’
He took a step forward, his bearing confident.
‘Stay where you are,’ I snapped, thinking of Tommy’s brutal callousness, working myself up into the kind of rage that would allow me to pull the trigger and rid the world of him.
He dived into me fast, like a cat, knocking the revolver to one side and driving me back into the wall. The gun went off with a deafening retort, the bullet ricocheting uselessly through the room.
I felt a sharp stabbing pain in my ribs but I kept hold of the gun and dodged the headbutt he launched as a follow-up. His forehead bounced off my shoulder and caught the edge of the brickwork with an angry crack. Seizing my chance, I delivered two short rabbit punches to his kidneys, and twisted away from him.
He tried to hold on and we did a manic pirouette across the floor, struggling savagely with each other. As he concentrated on trying to get me to release my grip on the gun by twisting my wrist, I slipped a foot behind his and pushed with everything I had.
He stumbled and lost his footing completely, letting go of my gun hand as he danced backwards across the floor, arms flailing in a vain effort to keep his balance. A desperate look crossed his face as I turned the gun in his direction. Behind him, I could see Dougie’s corpse, the blood pooling around his head, and Billy lying motionless in the chair, and this time I didn’t hesitate.
Tommy’s mouth formed a screaming ‘No!’ but any sound that passed his lips was drowned out by the noise of the bullets leaving the barrel as I pulled three times in rapid succession, watching as he was propelled across the room before landing in a flurry of arms and legs on top of Dougie, and lying still.
I stood for a good ten seconds surveying the bloody scene in front of me. Three more dead bodies to add to those from the previous night, and all for the sake of a piece of film that Andrew Kent had made. I knew now that I would never learn who’d wanted it so badly, but I was just going to have to accept that and move on. I needed to leave now. Even this early on a Saturday morning it was likely someone had heard the shots and would be calling the police.
But as I turned and headed for the door, the sound of movement made me stop dead.
Then a mocking voice spoke from behind me.
‘Bad move, Seany boy.’