ROMAINE
CLERK OF THE COURT
MR. JUSTICE WAINWRIGHT
ALDERMAN
MR. MYERS, Q.C.
COURT USHER
COURT STENOGRAPHER
WARDER
THE JUDGE’S CLERK
1ST BARRISTER
2ND BARRISTER
3RD BARRISTER
4TH BARRISTER
5TH BARRISTER
6TH BARRISTER
1ST MEMBER OF THE JURY
2ND MEMBER OF THE JURY
3RD MEMBER OF THE JURY
A POLICEMAN
DR. WYATT, a police surgeon
JANET MACKENZIE
MR. CLEGG, a laboratory assistant
THE OTHER WOMAN
The play directed by Wallace Douglas
Décor by Michael Weight
Suggestions for reducing the cast to ten men and five women will be found in the Author’s Note
SYNOPSIS OF SCENES
ACT ONE
The Chambers of Sir Wilfrid Robarts, Q.C. Afternoon.
ACT TWO
The Central Criminal Court, London—better known as the Old Bailey. Six weeks later. Morning.
ACT THREE
SCENEI. The chambers of Sir Wilfrid Robarts, Q.C.
The same evening.
SCENEII. The Old Bailey. The next morning.
During Act Three, Scene II, the lights are lowered to denote the passing of one hour.
Copy of program for the first performance of WITNESS FOR THE PROSECUTION as produced at Henry Miller’s Theatre, New York, December 16, 1954.
Gilbert Miller and Peter Saunders
present
WITNESS FOR THE PROSECUTION
A Murder Mystery by
Agatha Christie
Production directed by Robert Lewis with
Francis L. Sullivan Patricia Jessel
Ernest Clark Gene Lyons
Una O’Connor Robin Craven Horace Braham
Production designed by Raymond Sovey
Costumes supervised by Kathryn Miller
CAST
(
CARTER
GRETA
SIR WILFRID ROBARTS, Q.C.
MR. MAYHEW
LEONARD VOLE
INSPECTOR HEARNE
PLAIN-CLOTHES DETECTIVE
ROMAINE
THIRD JUROR
SECOND JUROR
FOREMAN OF THE JURY
COURT USHER
CLERK OF THE COURT
MR. MYERS, Q.C.
MR. JUSTICE WAINWRIGHT
ALDERMAN
JUDGE’S CLERK
COURT STENOGRAPHER
WARDER
BARRISTER
BARRISTER
BARRISTER
BARRISTER
BARRISTER
BARRISTER
POLICEMAN
DR. WYATT
JANET MACKENZIE
MR. CLEGG
THE OTHER WOMAN
SYNOPSIS OF SCENES
ACT ONE
The chambers of Sir Wilfrid Robarts, Q.C., in London. Late afternoon.
ACT TWO
The Central Criminal Court (The Old Bailey) in London.
Morning. Six weeks later.
ACT THREE
SCENEI: The chambers of Sir Wilfrid Robarts, Q.C., in London.
The same evening.
SCENEII: The Old Bailey. The next morning.
(The lights will be lowered during this scene to denote the passing of one hour.)
TIME: The present.
Production stage manager, JOHN EFFRAT
AUTHOR’S NOTE
I have great faith in the ingenuity of amateurs and repertory companies to devise means of reducing the very large cast of