Читаем The Grapes of Wrath полностью

"We got nothin', now," Pa said. "Comin' a long time—no work, no crops. What we gonna do then? How we gonna git stuff to eat? An' I tell you Rosasharn ain't so far from due. Git so I hate to think. Go diggin' back to a ol' time to keep from thinkin'. Seems like our life's over an' done."

"No, it ain't," Ma smiled. "It ain't, Pa. An' that's one more thing a woman knows. I noticed that. Man, he lives in jerks—baby born an' a man dies, an' that's a jerk—gets a farm an' loses his farm, an' that's a jerk. Woman, it's all one flow, like a stream, little eddies, little waterfalls, but the river, it goes right on. Woman looks at it like that. We ain't gonna die out. People is goin' on—changin' a little, maybe, but goin' right on."

"How can you tell?" Uncle John demanded. "What's to keep ever'thing from stoppin'; all the folks from jus' gettin' tired an' layin' down?" Ma considered. She rubbed the shiny back of one hand with the other, pushed the fingers of her right hand between the fingers of her left.

"Hard to say," she said. "Ever'thing we do—seems to me is aimed right at goin' on. Seems that way to me. Even gettin' hungry—even bein' sick; some die, but the rest is tougher. Jus' try to live the day, jus' the day."

Uncle John said, "If on'y she didn' die that time—"

"Jus' live the day," Ma said. "Don' worry yaself."

"They might be a good year nex' year, back home," said Pa.

Ma said, "Listen!"

There were creeping steps on the cat-walk, and then Al came in past the curtain. "Hullo," he said. "I thought you'd be sleepin' by now."

"Al," Ma said. "We're a-talkin'. Come set here."

"Sure—O.K. I wanta talk too. I'll hafta be goin' away pretty soon now."

"You can't. We need you here. Why you got to go away?"

"Well, me an' Aggie Wainwright, we figgers to get married, an' I'm gonna git a job in a garage, an' we'll have a rent' house for a while, an!—"

He looked up fiercely. "Well, we are, an' they ain't nobody can stop us!"

They were staring at him. "Al," Ma said at last, "we're glad. We're awful glad,"

"You are?"

"Why, 'course we are. You're a growed man. You need a wife. But don' go right now, Al."

"I promised Aggie," he said. "We got to go. We can't stan' this no more."

"Jus' stay till spring," Ma begged. "Jus' till spring. Won't you stay till spring? Who'd drive the truck?"

"Well—"

Mrs. Wainwright put her head around the curtain. "You heard yet?"

she demanded.

"Yeah! Jus' heard."

"Oh, my! I wisht—I wisht we had a cake. I wisht we had—a cake or somepin."

"I'll set on some coffee an' make up some pancakes," Ma said. "We got sirup." "Oh, my!" Mrs. Wainwright said. "Why—well. Look, I'll bring some sugar. We'll put sugar in them pancakes."

Ma broke twigs into the stove, and the coals from the dinner cooking started them blazing. Ruthie and Winfield came out of their bed like hermit crabs from shells. For a moment they were careful; they watched to see whether they were still criminals. When no one noticed them, they grew bold. Ruthie hopped all the way to the door and back on one foot, without touching the wall.

Ma was pouring flour into a bowl when Rose of Sharon climbed the cat-walk. She steadied herself and advanced cautiously. "What's the matter?" she asked.

"Why, it's news!" Ma cried. "We're gonna have a little party 'count a Al an' Aggie Wainwright is gonna get married."

Rose of Sharon stood perfectly still. She looked slowly at Al, who stood there flustered and embarrassed.

Mrs. Wainwright shouted from the other end of the car, "I'm puttin' a fresh dress on Aggie. I'll be right over."

Rose of Sharon turned slowly. She went back to the wide door, and she crept down the cat-walk. Once on the ground, she moved slowly toward the stream and the trail that went beside it. She took the way Ma had gone earlier—into the willows. The wind blew more steadily now, and the bushes whished steadily. Rose of Sharon went down on her knees and crawled deep into the brush. The berry vines cut her face and pulled at her hair, but she didn't mind. Only when she felt the bushes touching her all over did she stop. She stretched out on her back. And she felt the weight of the baby inside of her.

IN THE LIGHTLESS CAR, Ma stirred, and then she pushed the blanket back and got up. At the open door of the car the gray starlight penetrated a little. Ma walked to the door and stood looking out. The stars were paling in the east. The wind blew softly over the willow thickets, and from the little stream came the quiet talking of the water.

Перейти на страницу:

Похожие книги

Отверженные
Отверженные

Великий французский писатель Виктор Гюго — один из самых ярких представителей прогрессивно-романтической литературы XIX века. Вот уже более ста лет во всем мире зачитываются его блестящими романами, со сцен театров не сходят его драмы. В данном томе представлен один из лучших романов Гюго — «Отверженные». Это громадная эпопея, представляющая целую энциклопедию французской жизни начала XIX века. Сюжет романа чрезвычайно увлекателен, судьбы его героев удивительно связаны между собой неожиданными и таинственными узами. Его основная идея — это путь от зла к добру, моральное совершенствование как средство преобразования жизни.Перевод под редакцией Анатолия Корнелиевича Виноградова (1931).

Виктор Гюго , Вячеслав Александрович Егоров , Джордж Оливер Смит , Лаванда Риз , Марина Колесова , Оксана Сергеевна Головина

Проза / Классическая проза / Классическая проза ХIX века / Историческая литература / Образование и наука
1984. Скотный двор
1984. Скотный двор

Роман «1984» об опасности тоталитаризма стал одной из самых известных антиутопий XX века, которая стоит в одном ряду с «Мы» Замятина, «О дивный новый мир» Хаксли и «451° по Фаренгейту» Брэдбери.Что будет, если в правящих кругах распространятся идеи фашизма и диктатуры? Каким станет общественный уклад, если власть потребует неуклонного подчинения? К какой катастрофе приведет подобный режим?Повесть-притча «Скотный двор» полна острого сарказма и политической сатиры. Обитатели фермы олицетворяют самые ужасные людские пороки, а сама ферма становится символом тоталитарного общества. Как будут существовать в таком обществе его обитатели – животные, которых поведут на бойню?

Джордж Оруэлл

Классический детектив / Классическая проза / Прочее / Социально-психологическая фантастика / Классическая литература