The Broken Window

Rhyme squinted, moving his head as far forward as he could. An intruder, his face hidden by a hat. And he was holding something. Was it a gun? A knife?

“Thom!”

The aide wasn’t within earshot. Of course, he was taking the trash out.

“Command, dial Sachs, home.”

Thank God the ECU did exactly as instructed.

He could see Pam glance at the phone beside the computer. But she ignored the ringing; the house wasn’t hers-she’d let voice mail take a message. She continued speaking into her mobile.

The man leaned out of the hallway, his face, obscured by the brim of his hat, aimed directly at her.

“Command, instant message!”

The box popped up on the screen.

“Command, type: ‘Pam exclamation point.’ Command, send.”

“Pamex lamentation point.”

Fuck!

“Command, type, ‘Pam danger leave now.’ Command, send.”

This message went through pretty much unchanged.

Pam, read it, please! Rhyme begged silently. Look at the screen!

But the girl was lost in her conversation. Her face was no longer so carefree. The discussion had turned serious.

Rhyme called 911, and the operator assured him that a police car would be at the town house in five minutes. But the intruder was only seconds away from Pam, who was completely unaware of him.

Rhyme knew it was 522, of course. He’d tortured Malloy to get information about all of them. Amelia Sachs was the first on the list to die. Only it wouldn’t be Sachs. It would be this innocent girl.

His heart was pounding, a sensation registering as a fierce, throbbing headache. He tried the phone again. Four rings. “Hi, this is Amelia. Please leave your message at the tone.”

He tried again. “Command, type, ‘Pam call me period. Lincoln period.’”

And what would he tell her to do if he got through? Sachs had weapons in the place but he didn’t know where she kept them. Pam was an athletic girl, and the intruder didn’t seem much larger than she was. But he’d have a weapon. And, given where he was, he could get a garrote around her neck or a knife into her back before she was even aware of his presence.

And it would happen before his eyes.

Then at last she was swiveling toward the computer. She’d see the message.

Good, keep turning.

Rhyme saw a shadow on the floor across the room. Was the killer moving in closer?

Still talking on her phone, Pam moved toward the computer but she was looking at the keyboard, not the screen.

Look up! Rhyme urged silently.

Please! Read the goddamn message!

But like all kids today, Pam didn’t need to look at the screen to make sure she’d typed correctly. With her cell held tight between cheek and shoulder, she glanced fast at the keyboard as she stabbed the letters with quick strokes.

“gotta go. bye mr Rhyme. C U:-)”

The screen went black.

Amelia Sachs was uncomfortable in the crime-scene Tyvek jumpsuit, with surgeon’s hat and booties. Claustrophobic, nauseous from inhaling the bitter scent of damp paper and blood and sweat in the warehouse.

She hadn’t known Captain Joseph Malloy well. But he was, as Lon Sellitto had announced, “one of ours.” And she was appalled at what 522 had done to him, to extract the information he wanted. She was nearly finished running the scene and carried the evidence-collection bags outside, infinitely grateful for the air here, even though it reeked of diesel fumes.

She kept hearing the voice of her father. As a young girl she’d glanced into her parents’ bedroom and found him in his dress patrolman’s uniform, wiping tears. This had shaken her; she’d never seen him cry. He’d gestured her inside. Hermann Sachs always played straight with his daughter and he’d sat her down on a bedside chair and explained that a friend of his, a fellow officer, had been shot and killed while stopping a robbery.

“Amie, in this business, everybody’s family. You probably spend more time with the guys you work with than you do with your own wife and kids. Every time somebody in blue dies, you die a little bit too. Doesn’t matter, patrol or brass, they’re all family and it’s the same pain when you lose somebody.”

And she now felt the pain he’d been speaking of. Felt it very deeply.

“I’m finished,” she said to the crime-scene crew, who were standing beside their rapid response van. She’d searched the scene alone but the officers from Queens had videotaped and photographed it and walked the grid at the secondary scenes-the likely entrance and exit routes.

Nodding to the tour doctor and her associates from the M.E.’s office, Sachs said, “Okay, you can get him to the morgue.”

The men, in their thick green gloves and jumpsuits, walked inside. Assembling the evidence in the milk crates for transport to Rhyme’s lab, Sachs paused.

Someone was watching her.

She’d heard a tink of metal on metal or concrete or glass from up a deserted alleyway. A fast look, and she believed she saw a figure hiding near a deserted factory’s loading dock, which had collapsed years ago.