He thought she seemed cool and calm again, the “Soviet woman of culture” in her white dress, but then her lips, which stayed just open enough for him to catch the glint of her teeth, twitched a little as she dragged on the cigarette. Her eyes closed for a second so that her dark eyelashes fanned against her skin and those rare archipelagos of freckles. The lights caught the chestnut in her thick dark hair, and he saw that beneath all the composure she was a little breathless. He was breathless himself. Tonight it seemed the world was turning a little faster and tilting a little bit more.
The show was about to start. The lights spun and then shone onto the fountain in the middle of the room. The drums rolled. It was not Utesov’s band tonight but another jazz group with three trumpeters, a saxophonist and two double-bassists, all in black suits with white collars. New Orleans met Odessa in the strut of a louche, smoky rhythm.
Benya ordered wine and vodka and
She drank the Georgian wine, and he watched her relish its taste and then swallow it and sigh as it quenched her thirst—and even that commonplace act seemed precious. At last, he pulled her up to dance.
“Just once,” she said.
Benya knew he was good at the foxtrot and the tango, and they danced for more than one song. His body was slim and slight but he spun her around, making the steps as if he were walking on air. He suddenly felt that time was short. The circumstances that had allowed this freedom might never coincide again and he must push things as far as they could go. So he held her against him, knowing just from her breath how exhilarated she was too.
She broke away quickly and sat down again.
“I’ve got to go now,” she said as he joined her.
“This is a night that doesn’t exist in our lives,” he whispered. “Nothing that happens tonight ever happened. Suppose we took a room?”
“Never! You’re insane!”
“But imagine what a joy it would be.”
“And how would we even book it?” she answered. “Good night, Benya.” She grabbed her bag.
“Wait.” He held her hand under the table and then, in a crazy gamble that would either ruin the night or make it, he put her hand right on his zipper.
“What the hell do you think you’re doing?” she demanded, snatching it away.
“No,” he answered. “Look what you’re doing to me. I’m suffering.”
“I must go at once.” But she didn’t and he could see the effects of his brashness in her wide grey eyes. She was drunk, but not on the wine.
“Don’t you have a room here already, Sashenka? For your magazine?”
She blushed. “Room four hundred and three belongs to Litfond but, yes, the editors of
“Anyone using it now?”
Cold anger flashed in her eyes and she stood up. “You must think I’m some sort of…
“Not a
She started to laugh—no one had ever called her a babe, a little doll, before and Benya understood that they shared an oddly reassuring past in the old Jewish world of the Pale of Settlement.
“Room four hundred and three,” he said, almost to himself.
“
12
Sashenka laughed at her own stupidity. She had pushed through the wrong doors, but after such an exit she could not go back into the dining room. Now, she sat on the scarlet stairs leading to the rear elevators of the hotel and lit up one of her own Herzegovina Flors. Her presence in this hidden space right in the heart of the hotel seemed quite appropriate. No one knew she was there.
Without really thinking, she walked into the service elevator and rode it up to the fourth floor. Like a somnambulist, she crept along the musty, humid corridors, smelling the stale whiff of chlorine, cabbage and rotting carpet even in Moscow’s smartest hotel. She was lost. She must go home. She feared there might be the usual old lady (and NKVD informant) at the desk on the fourth floor, but then she realized that by entering the back way she had missed the crone altogether.