Plot It Yourself

At half past five the next day, Tuesday, I entered the vestibule of the tenement at 632 West 21st Street and pressed the button by Simon Jacobs’s name. In my breast pocket were two documents, one signed by Richard Echols and the other signed by Thomas Dexter for Title House. Both were notarized. In my side pocket was a neat little package containing five thousand dollars in twenties, fifties, and Cs. Another five thousand was distributed among other pockets, not in packages.

I could have been there two hours earlier but for the fact that no hurricane had hit town. Nothing less than a hurricane would make Wolfe cancel his afternoon session in the plant rooms, from four to six, and it had been decided that instead of trying to hook Jacobs myself I was to bring him to 35th Street and watch Wolfe do it, chiefly because it would be desirable to have a witness. I was not to be visible; I would be stationed in the alcove at the end of the hall with my notebook, at the hole in the wall, concealed by a trick picture on the office side, through which I could both see and hear. I had the documents and money with me because it might take more than words to get Jacobs to come.

There had been no snags. Shortly after twelve Cora Ballard, the executive secretary of NAAD, had come in person with the documents. She had brought them instead of sending them because she wanted to brief us on Simon Jacobs, whom she had known for nearly thirty years, ever since he had joined NAAD in 1931. He had always been a little odd, but she had always regarded him as honest and honourable, so much so that when he had accused Richard Echols of plagiarism she had had a faint suspicion that there might be something to it, but had abandoned it when she tried to get in touch with him and he wouldn’t talk. He was proud and touchy and he loved his wife and kids, and her advice was not to threaten him or try to get tough with him but just show him the money and the documents and put it on a basis of common sense. All of which might have been very helpful if it hadn’t been for the fact that he had already been dead about fourteen hours.

No, no snags. It couldn’t be called a snag that Amy Wynn and Reuben Imhof had withdrawn their offer to sweeten the pot, since that had been expected. While Wolfe and I were at lunch a messenger had arrived with the ten thousand dollars’ worth of lettuce from Mortimer Oshin.