The Big Train gets a piece of meat and fresh garden vegetables for supper. He drinks toasts to his friends. He sleeps in clean white sheets and in the morning he breakfasts on new-laid eggs. Exactly on time he arrives at the sodden little hotel. The colonel and the majors are exhausted from having fought lumps in their beds all night. Their digestions are ruined by the doughy food, but the Big Train is rested and thriving. He is alert and eventually will leave his officers in another tavern and find a friend for lunch.
The Big Train is not what you call handsome, but he is pleasant-looking and soft-spoken and he particularly likes the company of women, the casual company or any other kind. He just feels happy if there is a girl to talk to. How he finds them no one has ever been able to discover. You can leave the Big Train parked in the middle of a great plain, with no buildings and no brush, no nothing, and when you come back ten minutes later there will be a girl sitting in the seat beside him, smoking the colonel’s cigarettes and chewing a piece of the major’s gum, while the Big Train carefully writes down her address and the town she comes from.
His handling of women and girls is neither wolfish nor subtle. It consists in his being genuinely interested in them. He speaks to them with a kind of affectionate courtesy. Is a stickler for decorum of all kinds. He addresses all women, whether he knows them or not, as “dear” and he manages to make it convincing, probably because it is true. The result is that the women always want to see him again and, if the war lasts long enough, this wish will be granted in time. Mulligan is perfectly honest. If he should give the colonel’s cigarettes to the girl, a whole package of them, he explains this fact to the colonel and agrees to replace them as soon as he gets back to London. The colonel invariably refuses to consider such a thing, as being ungallant on his part. Of course the girl should have his cigarettes. He puts the girl at her ease, a place she has never left. Goggles at her, puffs out his chest and drives away. Big Train knows where she lives and who lives with her and he has already calculated what he will be likely to have for dinner when he calls on her.
About the English the Big Train has terse and simple ideas. “I get on all right with the ones I like and I don’t have nothing to do with the ones I don’t like. It was just the same at home,” he says. It is probable that he has more good effect on Anglo-American relations than two hundred government propagandists striving to find the fundamental differences between the nations. Big Train is not aware of many differences except in accent and liquor. He likes the ones he likes and he refuses to like for any reason whatever a man he wouldn’t like at home.
His speech is picturesque. He refers to a toothy, smiling girl as looking like a jackass eating bumblebees. He refuses to worry about the war. “When they want me to do that let them pin stars on my shoulders,” he says. “That’s what we got generals for.” Big Train Mulligan, after two years in the Army and one year overseas, is probably one of the most relaxed and most successful privates the war has seen. When they want him to take up his rifle and fight he is quite willing to do so, but until someone suggests it, he is not going to worry about it. There are good little dinners waiting for him in nice little cottages all over England. And so long as the colonel’s cigarettes hold out the Big Train will not leave his hostess empty-handed.
BOB HOPE
LONDON,
Moving about the country in camps, airfields, billets, supply depots, and hospitals, you hear one thing consistently. Bob Hope is coming, or Bob Hope has been here. The Secretary of War is on an inspection tour, but it is Bob Hope who is expected and remembered.
In some way he has caught the soldiers’ imagination. He gets laughter wherever he goes from men who need laughter. He has created a character for himself—that of the man who tries too hard and fails, and who boasts and is caught at it. His wit is caustic, but is never aimed at people, but at conditions and at ideas, and where he goes men roar with laughter and repeat his cracks for days afterward.