Linh is driving—and I’ve finally, after many hours and many times as his passenger, given up on the strictly Western practice of hanging on. Nobody else does. Not the three-year-old child whipping past me, standing in front of his father and mother. Not grandma, riding side-saddle behind her son-in-law and daughter over there, or the hundreds of thousands of young men and women, chatting on cell phones or exchanging comments from the backs of other bikes. Somehow we all manage to stay aboard without gripping our drivers around the waist or shoulders—or even bracing ourselves from the back. Somehow it all works; we manage to move quickly—sometimes very quickly—through space, together and apart, without flying from our seats or colliding with each other. Thousands, millions of us, a moving conversation of words, glances, gestures, and the shrill honks of our horns with an ever-changing cast of characters snaking through Hanoi’s Old Quarter, around its lakes, weaving through crosscurrents, breaking over and around the bigger, sadder four-wheel vehicles like stones in a river, barely noticing the souls trapped glumly and impatiently inside.
Is anyone in this city over thirty?
It seems not. Statistically, it is said that nearly 70 percent of the population are under that age, and, if the streets of Hanoi (or any city in Vietnam, for that matter) are any indicator, that number seems even higher. Nobody among them remembers the war. They weren’t even alive for it. Much like our post–World War II baby boom, they must have gone straight home from the battlefield and done an awful lot of fuckin’ around here. Everyone—
My old favorite,
Parties of ten, twenty Vietnamese cluster around and hover over hot pots of beef parts and whole fish.
Or they just ride.
If you’re in a car, you’re fucked for any of this. Most neighborhoods have no room for your spaceship to touch down. At best, you can glide slowly by, face pressed to the glass, or—if you care to torture yourself—open the window for a moment, let your nostrils fill with the complex admixture of a thousand and one delights, most of them unavailable to you. Sure, you can park a few blocks away, maybe—but then you may as well have walked. For the scooters and motorbikes, however, there’s the convenience of
Some things never get old. Some things are just…classic. You never lose appreciation for them. Your enthusiasm may wax and wane ever so slightly, but you always come back. Whether it’s the Rolling Stones’ “Let It Bleed” or doing it doggie-style, good is simply…good. There may be other things in life, but you can pretty much spend eternity considering the matter of the former—or latter—and you’d be hard-pressed to improve on either of them.
I feel exactly like this with Hanoi-style