“Well, come on over. The older cutters are working on the right, over there. They handle all the expensive materials, where mistakes would be costly. Like Spanish Sapphire silk, for example. We couldn’t trust that to an apprentice cutter. Or even lace, for that matter. Cutting reptiles is a different story. When we’re cutting alligator, say, we put the men on time. We can’t afford the rushing that accompanies piece-work, not with reptile skins as high as they are. Now, the apprentice cutters are over here. They’re cutting linings and fleece and backstays and sock linings and cushions and some of the cheaper fabrics for uppers. They’re not as good as our older cutters, you see, but they learn by experience. Come on over and we’ll watch one.”
They worked their way over through an aisle, dodging the runners who were carrying armloads of fabric and leather, dodging the boys and girls who were busily extracting patterns from the drawers.
Griff stopped alongside one of the cutters, a muscular boy who stood almost as tall as McQuade, black hair curling on his head and in the open V of his shirt collar. His sleeves were rolled up, and his sinewy arms were covered with the same dense black growth.
“Hello, Charlie,” Griff said. “How goes it?”
Charlie Fields looked up quickly. “Oh, hello, Mr. Griffin,” he said. Griff was surprised at the formality because he knew Charlie well, and they’d been on a first-name, coffee-drinking, dirty-joke-telling basis for a good long while now. Charlie glanced uneasily at McQuade then, and Griff suddenly got the picture. He remembered Max’s cool formality in the elevator, and Jimmy’s nervousness just now in the Leather Room, and then he remembered telling Benny Compo about the visitor from Georgia. Benny had probably passed the word to the other foremen, and the word had sped along the factory floors.
“Charlie,” he said, “would you mind showing Mr. McQuade that knife you’re using?”
“Not at all,” Charlie said nervously. He picked up the knife from the cutting bench and handed it to Griff handle-first. The handle looked like the wooden handle of a manual can opener, round and squat. The blade was a short, hooked piece of curving metal, looking like an extended half moon.
“This is razor-sharp,” Griff said. “It has to be in order to cut through some of the leathers that come out of the Leather Room.”
McQuade-glanced at the knife and then took it from Griff, hefting it on the palm of his hand, as if he were choosing a weapon for a duel. “It
“What are you cutting, Charlie?” Griff asked.
“Sock linings,” Charlie said. “Shall I cut one for you, Mr. Griffin?”
“Would you, please?”
McQuade handed the knife back to Charlie, and Charlie picked up the brass-bound pattern of the sock lining and placed it on the pale blue fabric. Quickly and expertly, he traced the pattern with the sharp edge of the cutting knife. He pulled the pattern away then and lifted the gracefully feminine sock lining from the bench, leaving the imprint of the sole in the remainder of the fabric, like a wet footprint on a blue tile floor.
“Simple as that,” Griff said. “Thanks, Charlie.” He turned back to McQuade and said, “All of those people are doing the same thing, cutting. Come along, will you?”
McQuade turned his head over his shoulder and smiled. “Thanks for your trouble, Charlie,” he said, and followed Griff.
“So, that’s the Cutting Room,” Griff said, walking over toward the sewing machines, “and here’s Prefitting, where all these girls are working. They do the very basic putting together, the elementary stuff, stitching vamp to quarter, and upper to lining, oh, all the preliminary work before the material goes down to Fitting on the seventh floor. Come on over and take a look.” He led McQuade to one of the sewing machines, and the girl at it looked up and then lowered her eyes quickly. Her hands fumbled with the shoe upper as she placed it in position under the needle, ready to stitch it to the lining. McQuade watched attentively for a moment, and Griff said, “That’s all there is to it. We can take the stairway down, if you don’t mind.”
“Not at all,” McQuade said.
He took him down to Fitting, and he heard his own voice droning on, explaining, explaining. McQuade’s face became expressionless. At regular intervals, he asked interested, pertinent questions, or nodded, or said, “I see,” or “Of course,” or “I understand,” or “Yes,” or “Uh-huh,” but his face remained expressionless throughout the tour.