Читаем The Mysterious Mr. Quin полностью

"It is in Paris that the story begins. There was a man there, a working jeweller. He was young and light-hearted and industrious in his profession. They said there was a future before him. A good marriage was already arranged for him, the bride not too bad-looking, the dowry most satisfactory. And then, what do you think? One morning he sees a girl. Such a miserable little wisp of a girl, messieurs. Beautiful? Yes, perhaps, if she were not half starved But anyway, for this young man, she has a magic that he cannot resist. She has been struggling to find work, she is virtuous--or at least that is what she tells him. I do not know if it is true."

The Countess's voice came suddenly out of the semi-darkness.

"Why should it not be true? There are many like that."

"Well, as I say, the young man believed her. And he married her--an act of folly! His family would have no more to say to him. He had outraged their feelings. He married--I will call her Jeanne--it was a good action. He told her so. He felt that she should be very grateful to him. He had sacrificed much for her sake."

"A charming beginning for the poor girl," observed the Countess sarcastically.

"He loved her, yes, but from the beginning she maddened him. She had moods--tantrums--she would be cold to him one day, passionate the next. At last he saw the truth. She had never loved him. She had married him so as to keep body and soul together. That truth hurt him, it hurt him horribly, but he tried his utmost to let nothing appear on the surface. And he still felt he deserved gratitude and obedience to his wishes. They quarrelled. She reproached him--Mon Dieu, what did she not reproach him with?"

"You can see the next step, can you not? The thing that was bound to come. She left him. For two years he was alone, working in his little shop with no news of her. He had one friend--absinthe. The business did not prosper so well."

"And then one day he came into the shop to find her sitting there. She was beautifully dressed. She had rings on her hands. He stood considering her. His heart was beating--but beating! He was at a loss what to do. He would have liked to have beaten her, to have clasped her in his arms, to have thrown her down on the floor and trampled on her, to have thrown himself at her feet. He did none of those things. He took up his pincers and went on with his work. Madame desires?" he asked formally.

"That upset her. She did not look for that, you see.

"Pierre, "she said. "I have come back."

He laid aside his pincers and looked at her.

"You wish to be forgiven?" he said. "You want me to take you back? You are sincerely repentant?"

"Do you want me back?" she murmured. Oh! Very softly she said it.

"He knew she was laying a trap for him. He longed to seize her in his arms, but he was too clever for that He pretended indifference.

"I am a Christian man," he said. "I try to do what the Church directs."

"Ah!" he thought, "I will humble her, humble her to her knees."

"But Jeanne, that is what I will call her, flung back her head and laughed. Evil laughter it was. "I mock myself at you, little Pierre, "she said. 'Look at these rich clothes, these rings and bracelets. I came to show myself to you. I thought I would make you take me in your arms and when you did so, then--then I would spit in your face and tell you how I hated you!"

"And on that she went out of the shop. Can you believe, messieurs, that a woman could be as evil as all that--to come back only to torment me?"

"No," said the Countess. "I would not believe it, and any man who was not a fool would not believe it either. But all men are blind fools."

Pierre Vaucher took no notice of her. He went on.

"And so that young man of whom I tell you sank lower and lower. He drank more absinthe. The little shop was sold over his head. He became of the dregs, of the gutter. Then came the war. Ah! It was good, the war. It took that man out of the gutter and taught him to be a brute beast no longer. It drilled him--and sobered him. He endured cold and pain and the fear of death--but he did not die and when the war ended, he was a man again.

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Рекс Стаут, создатель знаменитого цикла детективных произведений о Ниро Вулфе, большом гурмане, страстном любителе орхидей и одном из самых великих сыщиков, описанных когда-либо в литературе, на этот раз поручает расследование запутанных преступлений частному детективу Текумсе Фоксу, округ Уэстчестер, штат Нью-Йорк.В уединенном лесном коттедже найдено тело Ридли Торпа, финансиста с незапятнанной репутацией. Энди Грант, накануне убийства посетивший поместье Торпа и первым обнаруживший труп, обвиняется в совершении преступления. Нэнси Грант, сестра Энди, обращается к Текумсе Фоксу, чтобы тот снял с ее брата обвинение в несовершённом убийстве. Фокс принимается за расследование («Смерть дублера»).Очень плохо для бизнеса, когда в банки с качественным продуктом кто-то неизвестный добавляет хинин. Частный детектив Эми Дункан берется за это дело, но вскоре ее отстраняют от расследования. Перед этим машина Эми случайно сталкивается с машиной Фокса – к счастью, без серьезных последствий, – и девушка делится с сыщиком своими подозрениями относительно того, кто виноват в порче продуктов. Виновником Эми считает хозяев фирмы, конкурирующей с компанией ее дяди, Артура Тингли. Девушка отправляется навестить дядю и находит его мертвым в собственном офисе… («Плохо для бизнеса»)Все началось со скрипки. Друг Текумсе Фокса, бывший скрипач, уговаривает частного детектива поучаствовать в благотворительной акции по покупке ценного инструмента для молодого скрипача-виртуоза Яна Тусара. Фокс не поклонник музыки, но вместе с другом он приходит в Карнеги-холл, чтобы послушать выступление Яна. Концерт проходит как назло неудачно, и, похоже, всему виной скрипка. Когда после концерта Фокс с товарищем спешат за кулисы, чтобы утешить Яна, они обнаруживают скрипача мертвым – он застрелился на глазах у свидетелей, а скрипка в суматохе пропала («Разбитая ваза»).

Рекс Тодхантер Стаут

Классический детектив