I studied the objects in the palm of my hand, and then looked at Lily-not at her face, because I couldn't, not then, maybe not anymore, but at her body, the slope and shape of it, the way it evaded the rope in some places and strained against it in others. “I need help,” she said. “I need to tie the objects to me. Spirits are powerful and will run away from you if you do not bind them tight.” She lay down quietly on her back, closed her eyes. I didn't move, not for a full minute, and then she looked up. “Let each object tell you where it goes,” she said, and then closed her eyes again.
It was too much to look at her like that, to be able to study her without her studying me. I was searching for an innocent patch of skin to place something, but as she lay there, nothing looked innocent, everything was charged. Charged: and I say that not as an expression but because it was true, there was a hum, electric, I could hear it, and I could feel the vibrations, and though you might peg it to something less complicated, at the time I thought it was pure magic, and still do.
The teeth I knotted near her knees, one amulet I placed at her shoulder, and then the feather floated across her chest and I let my hand follow it. I cannot tell you when that light touch became a caress, or how my hand continued its light tracing after I'd woven the feather into the rope at her stomach. And I cannot tell you that I do not remember all that happened next. It was both hands, my lips; I found places for everything, for all the amulets, all the charms, and then I lay there beside her and waited to explode.
And then she said-had it been seconds, minutes? An hour?-a most remarkable word: “Untie.”
It should have happened then, just as soon as I'd worked her free of the cord and its knots and charms. I should have slipped free of my clothes and we should have lain together and fallen in love, made love. But I couldn't and didn't, because as I untied her, I watched the body I was releasing release memories, too. I saw and felt Gurley, and the summer's romance with Saburo, the phantom child they produced. I saw her growing up in Bethel, I saw her mother and father. I saw all the things she had told me about her life, but in different colors, scored with different sounds. I suppose it sounds like I was sitting there watching a movie, but it wasn't that, because I was moving through the landscape. I'd more readily compare it to what I've come to believe death is like, based on dozens of people I've seen go through their last moments here in this very hospice: for an instant, there is all the immediacy of life-all the people, sights, sounds, smells. We hear people talk about how one's life passes before one's eyes, and we think of a parade, with a beginning and an end. But it's not like that. The dying don't see their lives pass: their lives flash, complete, and vanish. It's the lifeless corpse that lingers.
I have spent a life fighting my way back to that moment with Lily that flash. I have spent a life trying to get back to that precipice and leap off it. I've not been chasing after sex-good Lord, what a fleeting goal-but intimacy,
Getting that moment back: That's not enough to spend a lifetime pursuing? It has been for me. I knew I could never become an
But I've not found her. It may be that I should have tied myself to Lily when I tied on those other charms, and made her take me with her wherever she flew And when we returned, I would not have untied us, we would have held on, skin to skin, until Gurley found us, shot us, and let us die, our blood pooling together. Our lives would have flashed then with a brilliance only suns could match.
But Lily didn't die that night. Neither did I. After spending a moment watching me, and, I was sure, waiting for me, she quietly got dressed. When Lily was finished, she leaned close, her eyes sad, her face exhausted. Then she said, “Thank you,” and gave me a kiss: yes, a kiss, her lips to mine.