“We stayed on and on in Anchorage, Gurley and I. We didn't leave. And any idea I had about finding Saburo faded, and faded, until I could no longer see his face anymore. And then his face started to be replaced with another. I studied it each night in my dreams, and each night it came closer and closer, until one night I saw who it was. I woke up and saw him there beside me: Gurley.”
By now, I had opened my eyes, but I wish I hadn't. Then I could have imagined some look of disgust on her face when she said the name
It wasn't love, she said. That's not wishful revising, at least not on my part: that's what she said. She said it wasn't anything she could really even put into words. But whatever the connection was, she needed it, she needed him. All the while, she told herself that the need sprang from her need to find Saburo, but eventually she began to wonder if that was true.
Gurley had begun to talk about life after the war, together. About some property he'd bought while posted in California, north of San Francisco. It was near the ocean, part of an old ranch. There was a hill you could stand on and see-well, everything. That's where the house would go. Big and broad with a long porch that would ramble around the whole of the first floor. From there, you'd be able to see the land unfurling all the way down to the water, where the ocean would carry the eye on to the horizon and the clouds above. Such clouds, Gurley had told her, such a sun: the pleasures of the sky there were so vast. How like Gurley, I thought, to think that some small panorama he'd purchased might sell a girl who'd grown up beneath the world's biggest sky. Still, I could hear him: “Such a sky as would befit a century's worth of painters! Imagine, heaven's cloak…” And what is there to say, really, against that, or against him? Decades on, I'm not sure I can tell you precisely what the sky looked like above Mary Star of the Sea, or what the walk from the orphanage to the ocean looked like. But I can remember that imaginary house of Gurley's. I can see them both there; I can see every blade of grass, every window, every flower, every cloud above.
I told Lily it sounded beautiful, and she shook her head quickly.
“That's why I was so glad you came, Louis. I was falling for him, I had fallen for him-so much of me still has.”
My heart swelled, is that the word? I was precisely the knight I had taken myself for.
“When you came, you were so different. So young.” We smiled. “And so, so frightened. So unlike anyone else who'd ever come to that dingy little office. I felt it immediately. And you frightened me. You'd been sent, I knew that right away. Not like Gurley You'd been sent to remind me.”
“To what?”
“To-to-rescue me. To shame me. To remind me to-stop crying. To go home, to find my son, his father. Saburo.”
Things were going horribly wrong. I'd been sent to rescue her, but for myself. I tried to protest: “Lily, I-no one sent me.”
“No one you knew, but you
If I coughed again, if I even opened my mouth to speak, I knew I might lose whatever was in my stomach.
“You understand,” said Lily, relieved.
I pointed to the door.
“Gurley doesn't, but you do.
I kept walking until I reached the riverbank. I found our boat, a long, broad skiff, equipped with five days' worth of food, gallons of gas and water, tents, and for appearance's sake, a crate of bomb disposal equipment-tools, plastic explosives, blasting wire, and a little ten-cap hell box. There was one other small item, too, one that I'd secreted from Gurley's office and now kept hidden in a knapsack. I wouldn't fail Lily this time: I'd brought Saburo's map.
I looked it all over and then I sat, the good friend. I stared across the river and listened for some sign of Gurley-the whine of a boat, the crack of a gunshot.
CHAPTER 17
I'VE SEEN RONNIE FIRE A GUN ONLY ONCE, BUT IT WAS TO great effect.