Nick & Norah's Infinite Playlist

"She never could take it," Tris says, pulling out a cigarette, then handing the lighter to me so I can spark it. "Never. Put her on the spot and she'll just refuse to admit that the spot is there. This one time? We were all going skinny-dipping. No big deal. We all have pools. We know what that's like. But I can tell right away that there's no way Norah's going to do it. This boy she likes-holy shit, I think it was Andy Biggs-well, he's going to be there. And she doesn't want to see him like that. But does she protest? No. Does she put up a fight? No. She comes over with us, plays DJ for a while, and when it's time for us to strip and get in the water, she disappears. Walks like two fucking miles back to her house without saying a word. The next day, she doesn't even pretend she was feeling sick or anything. Doesn't try to explain it at all."

She hasn't said this many words to me in four weeks-no, more than that. Because toward the end all the words started leaving. Except for the ones that had to lock up at the end of the night.

I don't know whether I can touch her. I mean, reach across those two or three inches and let my hand fall on her arm. Feel what that's like again. See if it feels like the past, or something in a different tense.

"Don't," she says. "Don't get fucking moony on me, Nick. Because if you do, I am out of here faster than Norah. Get it?"

I nod. Try not to look at her skin.

"Good." Tris lets loose a smoke signal. "I don't want to talk about us."

You never did,I think.

When someone breaks up with you, their beauty-which you took such satisfaction in-suddenly becomes unfair. It's like that with Tris right now. She's even managed to arrange herself in the lamplight so the shadows hit in just the right way. It feels like a rebuke.

We sit in silence for a second. She takes a drag. She's cinematic and I'm a fucking sitcom. The silence doesn't bother her at all, but it freaks the hell out of me. So I do what I always vowed not to do, and always found myself doing anyway. I throw "I miss you" into the breach. It even feels empty to me. Like I'm not saying it to the right person.

"Don't start that again," Tris says, but without the edge I was expecting. "It doesn't prove anything except that I don't feel the same way." Another drag of the cigarette, and an ear turned toward the club. "They sound kick-ass tonight, don't they? I thought the big time would ruin them, but maybe I was wrong. I should've slept with Owen O. while I had the chance. Then I would've been only one degree of spreaderation from whatever teen-movie starlet gets to him first. I just hope they don't name their daughter after a fucking fruit."

"April," I say.

"What?"

"April. You said you wanted to name our daughter April."

Tris shoots me a curious look. "Did I? I don't know if it's sweet or scary that you remember that."

I find the courage to ask, "Aren't sweet and scary the same thing to you?"

She grins a little at my insight and nods. "Maybe. Sorry."

"Sorry?"

"Yeah. Sorry."

She draws more of the embers toward her, stares not at me but at the punks walking across the street from us.

"Tris, I-"

"Do you like her?"

"What?"

"Norah. Do you like her?"

"Can you like someone who confuses the hell out of you?"

"All the fucking time."

"Did I confuse the hell out you?"

It's really just a question, but this time Tris is annoyed, flicking her cigarette at me so ashes scatter on my shirt.

"Shut up, okay?" she says. "Enough already. ENOUGH. Yes, you confuse the hell out of me. Because not only can you not let go, but you don't even fucking realize that the thing you're holding on to isn't even there. You think I hurt you? Well, I could have hurt you so much more."

"How?" I have to ask.

"By telling the truth, Nick. I thought you'd see it. I thought you'd figure it out. I had no idea how completely blind you could make yourself. And yes, I could have just come right out and said it. But you were just so fucking vulnerable that I could never do it. And then I hurt you anyway. But fuck, Nick-you needed to be hurt. You needed to have the truth kicked into you."

"It's more like a stabbing than a kicking," I tell her, just so she'll know.

"For me it's a kicking," Tris replies. "But whatever. The subject of us is through. The subject of you and Norah is not. Let me give you some free advice. She's a runner for sure-she'll run away every time without saying a word. But here's the thing-you are not a runner. And deep down, I don't think Norah wants to run, either. She just feels like she has to. Partly because she's a tiresome spoiled-brat smartass with no fashion sense. And partly because she's a fucking human being."

She's making sense, and that's like a rebuke, too. Why couldn't we have had these conversations when we were together? I think. And then I realize what I've done-I've made when we were together a separate, almost distant place. I still feel the hurt, but I feel much less desire to undo it.