Читаем Might as Well Be Dead полностью

She said she liked Peter Hays very much. She said she regarded him as a good friend, and she had affection for him, and believed he had affection for her. The relations between them could not properly be called misconduct. As for the relations between her and her husband, she had begun to feel less than a year after their marriage, which had taken place three years ago, that the marriage had been a mistake. She should have known it would be, since for a year before their marriage she had worked for Molloy as his secretary, and she should have known what kind of man he was. The prosecutor had fired at her, “Do you think he was the kind of man who should be murdered?” and Freyer had objected and been sustained, and the prosecutor had asked, “What kind of man was he?” Freyer had objected to that too as calling for an opinion on the part of the witness, and that had started another debate. It was brought out, specifically, that he had falsely accused her of infidelity, had physically mistreated her, had abused her in the presence of others, and had refused to let her get a divorce.

She had seen Peter Hays at a New Year’s Eve party three days before the murder, and had not seen him since until she entered the courtroom that day. She had spoken with him on the telephone on January 1 and again on January 2, but she couldn’t remember the details of the conversations, only that nothing noteworthy had been said. The evening of January 3 a woman friend had phoned around seven-thirty to say that she had an extra ticket for a show and invited her to come, and she had accepted. When she got home, around midnight, there were policemen in her apartment and she was told the news.

Freyer had not cross-examined her. One of the hundred or so details of privileged communications between a lawyer and a client furnished us by Freyer explained that. He had promised Peter Hays he wouldn’t.

Wolfe snorted, not his laughing snort. “Isn’t it,” he inquired, “a function of counsel to determine the strategy and tactics of defense?”

“When he can, yes.” Freyer, who had spent three-quarters of an hour reviewing the testimony and answering questions about it, had lubricated himself with a glass of water. “Not with this client. I’ve said he is difficult. Mrs. Molloy was the prosecution’s last witness. I had five, and none of them helped any. Do you want to discuss them?”

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Смерть дублера
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Рекс Стаут, создатель знаменитого цикла детективных произведений о Ниро Вулфе, большом гурмане, страстном любителе орхидей и одном из самых великих сыщиков, описанных когда-либо в литературе, на этот раз поручает расследование запутанных преступлений частному детективу Текумсе Фоксу, округ Уэстчестер, штат Нью-Йорк.В уединенном лесном коттедже найдено тело Ридли Торпа, финансиста с незапятнанной репутацией. Энди Грант, накануне убийства посетивший поместье Торпа и первым обнаруживший труп, обвиняется в совершении преступления. Нэнси Грант, сестра Энди, обращается к Текумсе Фоксу, чтобы тот снял с ее брата обвинение в несовершённом убийстве. Фокс принимается за расследование («Смерть дублера»).Очень плохо для бизнеса, когда в банки с качественным продуктом кто-то неизвестный добавляет хинин. Частный детектив Эми Дункан берется за это дело, но вскоре ее отстраняют от расследования. Перед этим машина Эми случайно сталкивается с машиной Фокса – к счастью, без серьезных последствий, – и девушка делится с сыщиком своими подозрениями относительно того, кто виноват в порче продуктов. Виновником Эми считает хозяев фирмы, конкурирующей с компанией ее дяди, Артура Тингли. Девушка отправляется навестить дядю и находит его мертвым в собственном офисе… («Плохо для бизнеса»)Все началось со скрипки. Друг Текумсе Фокса, бывший скрипач, уговаривает частного детектива поучаствовать в благотворительной акции по покупке ценного инструмента для молодого скрипача-виртуоза Яна Тусара. Фокс не поклонник музыки, но вместе с другом он приходит в Карнеги-холл, чтобы послушать выступление Яна. Концерт проходит как назло неудачно, и, похоже, всему виной скрипка. Когда после концерта Фокс с товарищем спешат за кулисы, чтобы утешить Яна, они обнаруживают скрипача мертвым – он застрелился на глазах у свидетелей, а скрипка в суматохе пропала («Разбитая ваза»).

Рекс Тодхантер Стаут

Классический детектив