Everything's Eventual

   The mark was on the left temple, a comet shape that looked like a powder burn, but there was no bullet hole, no blood, and the skull wasn't pushed out of shape. Even a low-caliber pistol like a .22, fired close enough to the skin to leave a powder burn, would have pushed the skull out of shape.

   Escobar took the picture back, put it in the folder, closed the folder, and shrugged as if to say You see? You see what happens? When he shrugged, the ash fell off his cigarette onto the table. He brushed it off onto the gray lino floor with the side of one fat hand.

   "We dint actually want to bother you," Escobar said. "Why would we? This a small country. We are small people in a small country. The New York Times a big paper in a big country. We have our pride, of course, but we also have our . . ." Escobar tapped his temple with one finger. "You see?"

   Fletcher nodded. He kept seeing Tomás. Even with the picture back in the folder he could see Tomás, the marks the comb had left in Tomás's dark hair. He had eaten food Tomás's wife had cooked, had sat on the floor and watched cartoons with Tomás's youngest child, a little girl of perhaps five. Tom and Jerry cartoons, with what little dialogue there was in Spanish.

   "We don't want to bother you," Escobar was saying as the cigarette smoke rose and broke apart on his face and curled around his ears, "but for a long time we was watching. You dint see us—maybe because you are so big and we are just little—but we was watching. We know that you know what Tomás knows, and so we go to him. We try to get him to tell what he knows so we don't have to bother you, but he won't. Finally we ask Heinz here to try and make him tell. Heinz, show Mr. Fletcher how you try to make Tomás tell, when Tomás was sitting right where Mr. Fletcher was sitting now."

   "I can do that," said Heinz. He spoke English in a nasal New York accent. He was bald, except for a fringe of hair around his ears. He wore little glasses. Escobar looked like a movie Mexican, the woman looked like Elsa Lanchester in Bride of Frankenstein, Heinz looked like an actor in a TV commercial, the one who explained why Excedrin was best for your headache. He walked around the table to the trolley, gave Fletcher a look both roguish and conspiratorial, and flicked away the cloth over the top.

   There was a machine underneath, something with dials and lights that were now all dark. Fletcher at first thought it was a lie detector— that made a certain amount of sense—but in front of the rudimentary control panel, connected to the side of the machine by a fat black cord, was an object with a rubber grip. It looked like a stylus or some sort of fountain pen. There was no nib, though. The thing just tapered to a blunt steel point.

   Below the machine was a shelf. On the shelf was a car battery marked DELCO

              . There were rubber cups over the battery terminals. Wires rose from the rubber cups to the back of the machine. No, not a lie detector. Except maybe to these people it was.

   Heinz spoke briskly, with the pleasure of a man who likes to explain what he does. "It's quite simple, really, a modification of the device neurologists use to administer electric shocks to people suffering unipolar neurosis. Only this administers a far more powerful jolt. The pain is really secondary, I find. Most people don't even remember the pain. What makes them so eager to talk is an aversion to the process. This might almost be called an atavism. Someday I hope to write a paper."

   Heinz picked up the stylus by its insulated rubber grip and held it in front of his eyes.

   "This can be touched to the extremities . . . the torso . . . the genitals, of course . . . but it can also be inserted in places where—forgive the crudity—the sun never shines. A man whose shit has been electrified never forgets it, Mr. Fletcher."

   "Did you do that to Tomás?"

   "No," Heinz said, and replaced the stylus carefully in front of the shock-generator. "He got a jolt at half-power on the hand, just to acquaint him with what he was up against, and when he still declined to discuss El Cóndor—"

   "Never mind that," the Bride of Frankenstein said.

   "Beg pardon. When he still wouldn't tell us what we wanted to know, I applied the wand to his temple and administered another measured jolt. Carefully measured, I assure you, half-power, not a bit more. He had a seizure and died. I believe it may have been epilepsy. Did he have a history of epilepsy, do you know, Mr. Fletcher?"

   Fletcher shook his head.

   "Nevertheless, I believe that's what it was. The autopsy revealed nothing wrong with his heart." Heinz folded his long-fingered hands in front of him and looked at Escobar.