Читаем Dying Inside полностью

They stand with their backs toward me. Dense silence. Buenos dias, señora. Nice day, isn’t it, ma’am? What a lovely little child. But I remain mute. I don’t know her; she looks just like all the others who live in this project, and even her cerebral output is standard stuff, unindividuated, indistinguishable: vague thoughts of plantains and rice, this week’s lottery results, and tonight’s television highlights. She is a dull bitch but she is human and I love her. What’s her name? Maybe it’s Mrs. Altagracia Morales. Mrs. Amantina Figueroa. Mrs. Filomena Mercado. I love their names. Pure poetry. I grew up with plump clumping girls named Sondra Wiener, Beverly Schwartz, Sheila Weisbard. Ma’am, can you possibly be Mrs. Inocencia Fernandez? Mrs. Clodomira Espinosa? Mrs. Bonifacia Colon? Perhaps Mrs. Esperanza Dominguez. Esperanza. Esperanza. I love you, Esperanza. Esperanza springs eternal in the human breast. (I was there last Christmas for the bullfights. Esperanza Springs, New Mexico; I stayed at the Holiday Inn. No, I’m kidding.) Ground floor. Nimbly I step forward to hold the door open. The lovely stolid pregnant chiquita doesn’t smile at me as she exits.

To the subway now, hippity-hop, one long block away. This far uptown the tracks are still elevated. I sprint up the cracking, peeling staircase and arrive at the station level hardly winded at all. The results of clean living, I guess. Simple diet, no smoking, not much drinking, no acid or mesc, no speed. The station, at this hour, is practically deserted. But in a moment I hear the wailing of onrushing wheels, metal on metal, and simultaneously I pick up the blasting impact of a sudden phalanx of minds all rushing toward me at once out of the north, packed aboard the five or six cars of the oncoming train. The compressed souls of those passengers form a single inchoate mass, pressing insistently against me. They quiver like trembling jellylike bites of plankton squeezed brutally together in some oceanographer’s net, creating one complex organism in which the separate identities of all are lost. As the train glides into the station I am able to pick up isolated blurts and squeaks of discrete selfhood: a fierce jab of desire, a squawk of hatred, a pang of regret, a sudden purposeful inner mumbling, rising from the confusing totality the way odd little scraps and stabs of melody rise from the murky orchestral smear of a Mahler symphony. The power is deceptively strong in me today. I’m picking up plenty. This is the strongest it’s been in weeks. Surely the low humidity is a factor. But I’m not deceived into thinking that the decline in my ability has been checked. When I first began to lose my hair, there was a happy period when the process of erosion seemed to halt and reverse itself, when new patches of fine dark floss began to sprout on my denuded forehead. But after an initial freshet of hope I took a more realistic view: this was no miraculous reforestation but only a twitch of the hormones, a temporary cessation of decay, not to be relied upon. And in time my hairline resumed its retreat. So too in this instance. When one knows that something is dying inside one, one learns not to put much trust in the random vitalities of the fleeting moment. Today the power is strong yet tomorrow I may hear nothing but distant tantalizing murmurs.

I find a seat in the corner of the second car, open my book, and wait out the ride downtown. I am reading Beckett again, Malone Dies; it plays nicely to my prevailing mood, which as you have noticed is one of self-pity. My time is limited. It is thence that one fine day, when all nature smiles and shines, the rack lets loose its black unforgettable cohorts and sweeps away the blue for ever. My situation is truly delicate. What fine things, what momentous things, I am going to miss through fear, fear of falling back into the old error, fear of not finishing in time, fear of revelling, for the last time, in a last outpouring of misery, impotence and hate. The forms are many in which the unchanging seeks relief from its formlessness. Ah yes, the good Samuel, always ready with a word or two of bleak comfort.

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