The shouting voices (and the cries of pain from the people at the front who are being squashed) give way to shocked silence, and Henry uses his bullhorn: “SPREAD OUT! SPREAD OUT, GODDAMMIT! THERE’S ROOM FOR EVERYONE
The profanity has an even more sobering effect on them than the gunshots, and although the most stubborn ones remain on the highway (Bill and Sarah Allnut are prominent among them; so are Johnny and Carrie Carver), the others begin to spread along the Dome. Some head to the right, but the majority shuffle to the left, into Alden Dinsmore’s field, where the going’s easier. Henrietta and Petra are among them, weaving slightly from liberal applications of Canada Dry Rocket.
Henry holsters his weapon and tells the other officers to do the same. Wendlestat and Conroy comply, but Joe Boxer continues to hold his snubnosed.38—a Saturday-night special if Henry has ever seen one.
“Make me,” he sneers, and Henry thinks:
Many of those who have chosen to stay away from the Dome (a disquieting number have remained in town because they’re beginning to experience respiratory problems) are able to watch on television. Thirty or forty have gravitated to Dipper’s. Tommy and Willow Anderson are at the Dome, but they’ve left the roadhouse open and the big-screen TV on. The people who gather on the honky-tonk hardwood floor to watch do so quietly, although there is some weeping. The HDTV images are crystal clear. They are heartbreaking.
Nor are they the only ones who are affected by the sight of eight hundred people lining up along the invisible barrier, some with their hands planted on what appears to be thin air. Wolf Blitzer says, “I have never seen such longing on human faces. I…” He chokes up. “I think I better let the images speak for themselves.”
He falls silent, and that’s a good thing. This scene needs no narration.
At his press conference, Cox said,
Little by little they sort themselves out, and the pool TV cameras see it all. They observe the townspeople and the visitors pressing their hands together, with the invisible barrier between; they watch them try to kiss; they examine men and women weeping as they look into each other’s eyes; they note the ones who faint, both inside the Dome and out, and those who fall to their knees and pray facing each other with their folded hands raised; they record the man on the outside who begins hammering his fists against the thing keeping him from his pregnant wife, hammering until his skin splits and his blood beads on thin air; they peer at the old woman trying to trace her fingers, the tips pressed white and smooth against the unseen surface between them, over her sobbing granddaughter’s forehead.
The press helicopter takes off again and hovers, sending back images of a double human snake spread over a quarter of a mile. On the Motton side, the leaves flame and dance with late October color; on the Chester’s Mill side they hang limp. Behind the towns-folk—on the road, in the fields, caught in the bushes—are dozens of discarded signs. At this moment of reunion (or almost-reunion), politics and protest have been forgotten.
Candy Crowley says: “Wolf, this is without a doubt the saddest, strangest event I’ve witnessed in all my years of reporting.”