Del Tufo himself spans an ocean. His olive features bespeak Sicily; his voice is pure urban New Jersey. Bred to the pavement and steel that became his life’s work, he nonetheless marvels at the annual miracle of baby peregrine falcons hatching high atop the George Washington’s towers, and at the sheer botanical audacity of grass, weeds, and ailanthus trees that defiantly bloom, far from topsoil, from metal niches suspended high above the water. His bridges are under a constant guerrilla assault by nature. Its arsenal and troops may seem ludicrously puny against steel-plated armor, but to ignore endless, ubiquitous bird droppings that can snag and sprout airborne seeds, and simultaneously dissolve paint, would be fatal. Del Tufo is up against a primitive, but unrelenting foe whose ultimate strength is its ability to outlast its adversary, and he accepts as a fact that ultimately nature must win.
Not on his watch, though, if he can help it. First and foremost, he honors the legacy he and his crew inherited: their bridges were built by a generation of engineers who couldn’t possibly have conceived of a third of a million cars crossing them daily—yet 80 years later, they’re still in service. “Our job,” he tells his men, “is to hand over these treasures to the next generation in better shape than when we accepted them.”
On a February afternoon he heads through snow flurries to the Bayonne Bridge, chatting with his crew over his radio. The underside of the approach on the Staten Island side is a powerful steel matrix that converges in a huge concrete block anchored to the bedrock, an abutment that bears half the load of the Bayonne’s main span. To stare up directly into its labyrinthine load-bearing I-beams and bracing members, interlocked with half-inch-thick steel plates, flanges, and several million half-inch rivets and bolts, recalls the crushing awe that humbles pilgrims gaping at the soaring Vatican dome of St. Peter’s Cathedral: something this mighty is here forever. Yet Jerry Del Tufo knows exactly how these bridges, without humans to defend to them, would come down.
It wouldn’t happen immediately, because the most immediate threat will disappear with us. It’s not, says Del Tufo, the incessant pounding traffic.
“These bridges are so overbuilt, traffic’s like an ant on an elephant.” In the 1930s, with no computers to precisely calculate tolerances of construction materials, cautious engineers simply heaped on excess mass and redundancy. “We’re living off the overcapacity of our forefathers. The GW alone has enough galvanized steel wire in its three-inch main cables to wrap the Earth four times. Even if every other suspender rope deteriorated, the bridge wouldn’t fall down.”
Enemy number one is the salt that highway departments spread on the roadways each winter—ravenous stuff that keeps eating steel once it’s done with the ice. Oil, antifreeze, and snowmelt dripping from cars wash salt into catch basins and crevices where maintenance crews must find and flush it. With no more people, there won’t be salt. There will, however, be rust, and quite a bit of it, when no one is painting the bridges.
At first, oxidation forms a coating on steel plate, twice as thick or more as the metal itself, which slows the pace of chemical attack. For steel to completely rust through and fall apart might take centuries, but it won’t be necessary to wait that long for New York’s bridges to start dropping. The reason is a metallic version of the freeze-thaw drama. Rather than crack like concrete, steel expands when it warms and contracts when it cools. So that steel bridges can actually get longer in summer, they need expansion joints.
In winter, when they shrink, the space inside expansion joints opens wider, and stuff blows in. Wherever it does, there’s less room for the bridge to expand when things warm up. With no one painting bridges, joints fill not only with debris but also with rust, which swells to occupy far more space than the original metal.
“Come summer,” says Del Tufo, “the bridge is going to get bigger whether you like it or not. If the expansion joint is clogged, it expands toward the weakest link—like where two different materials connect.” He points to where four lanes of steel meet the concrete abutment. “There, for example. The concrete could crack where the beam is bolted to the pier. Or, after a few seasons, that bolt could shear off. Eventually, the beam could walk itself right off and fall.”