The Triggerman Dance

"Lane did it for you two. He and Mr. Holt both know someone's smuggling out docs."

"Docks?"

"Documents. The deal with Titisi. Titisi's lowballing Mr. Holt, but Titisi's desperate, too. It's not adding up."

"Holt thinks someone's spying for that boogie?"

"That's why Lane and I went through that little routine yesterday. So you guys would think I'm under the gun. So if you need another ear, you might try me. Lane thinks one of you might be the leak. You or Partch."

"Me? Me? It ain't me, Bubba. You're talking shit again. It's that old fart Messinger if it's anyone."

"Tell that to Mr. Holt and get this thing straightened out. If you don't, he'll blow his stack when he finds out you messed up my job."

"Shut up," said Snakey, quietly.

"Ask Fargo what you should—"

"—Shut up, Bubba."

There was a long silence behind John. Snakey was still in the far periphery of his vision, just an unclear figure now standing where he'd found the phone. John moved his right hand onto the Colt .45 in the crook of the branch.

If you ever need it, you will probably die with it in your hand.

Snakey was moving now. He disappeared from John's field of vision, but his footsteps still registered. He was moving toward the fence, toward the tunnel. John put his finger through the trigger guard of the Colt just as he heard Snakey's shoe hit the tunnel cover. With a gentle prying of his wrist, John unmoored the automatic from its clip.

"The fuck's this?"

"The tunnel he dug."

"The what?"

John's neck was straining as he tried for a sight of Snakey.

"Don't move, man! I'm close to shootin' you. I'm real close.

Just keep screwin' that pine tree with your hands up. Shit, man— look at this hole."

John heard the cover sliding over dry earth, heard the hollow thudding of the wood as Snakey pushed it away from the opening.

"Where's it go?"

"Under the fence, to the other side."

"What for?"

"So he can get in and out if he has to. We're pretty sure it's where he drops the docs, then someone on the other side picks them up."

"You're more jive than a boogie, Bubba."

"It's the truth."

"We'll ask Fargo and Mr. Holt if it's the truth. See, I gotta job to do, and it's keep an eye on you. I got lots to report. You slobber all over his daughter 'til late at night, you pick into the trophy room, you got a bag of paper you took from somewhere and you got a bunch of spy gadgets and a phone hidden in a box in the fuckin' dirt. You're history, man. You're iced."

He's right, thinks John.

Snakey and him went somewhere. Snakey came back.

"You did your job well, Snakey. But you got the wrong guy."

"No. You're you all right. It's pretty simple. I'm gonna collect all this stuff and I'm gonna give it to Lane. Lane the Brain. I'm telling him what you did to Val. I'm telling him the way you snuck out here and tried to use the phone. I'm giving him this picture and drawing here. If it turns out you're working for him then there's no harm in it, right? We all just laugh and you go back to doing whatever you're supposed to be doing. I ain't heard nothin' about no docks and leaks. What I heard from Lane was that you aren't trustworthy. Think I've just about proved it."

John's mind was roiling now, a chaos of fear, confusion and doubt. This was not in any of Joshua's scripts. This was a contingency not covered.

The Colt's safety was already off. There was no round chambered. He would have to cock it. And in the time it would take for him to turn, jack the live round in, find his target and fire, all Snakey had to do was pull a trigger and watch ten bullets go through John's back.

If you're blown, run. If you can't run, deny. When you can't deny, confess. It will either get you out, get you turned or get you killed.

"I'm working for the FBI, Snakey."

"Cool. I'm John Gotti."

"You'll end up in prison like Gotti, if you don't put that gun away."

"You got me shakin' now, Mr. Fart, Burp and Indigestion."

"Listen. Six months ago, Holt tried to kill a writer who'd been after him. She'd bad-mouthed Patrick after he got it up in Santa Ana. She bad-mouthed Holt himself. She made fun of everything he stands for, everything he is, everything he does. She ridiculed his politics. She ridiculed Liberty Ridge. She made it seem like what happened to his son and wife had sent him over the top. She tried to say he was a victim of violence, that it had twisted him out of shape—turned him into a vicious old fool and that he was a sign of the times. She patronized him. She ragged on him, then patted him on the head. But she was more right than she knew. He went crazy over what happened to Patrick and Carolyn and he tried to take it out on someone he hated. They've matched up shells to one of his guns. They've got fingerprints."

Snakey was quiet for a long moment.