She gives me a look of disdain. "My father made a science of walking the line between what's legal and what's not. So have a lot of other businessmen. That's the way you get rich."
"Like those adoptions?" I say softly. "Let's not forget why we're here."
"You're so damned self-righteous. You must have cut a few corners in a decade of practicing law."
"I was a prosecutor, Livy. I stayed on the right side of that line you're talking about."
"You never conveniently misplaced a piece of exculpatory evidence to keep it from the defense?"
"Never."
"I suppose you never cheated on your wife either."
"Sorry. Why don't we look at those files?"
She studies me a moment more, then drops her hand and pulls the club chair off the Bokara. I roll up the rug and prop it against Leo's desk.
Where the rug had lain, discolored floorboards outline a trapdoor three feet square. Livy goes to the desk and brings back a small metal handle with a hook on one end. Kneeling, she slips the hook into an aperture I cannot see and folds back the trapdoor, exposing the steel door of a floor safe.
She bends over the combination lock, thinks for a moment, then spins it left, right, and left again. "He hasn't changed the combination in years," she says, getting to her feet.
I crouch to turn the heavy handle of the safe, but the butt of Ike's gun digs into my stomach. After setting it on the desk beside Livy's purse, I get down on my knees, turn the handle, and pull open the heavy door.
Inside is a hoard of velvet-covered jewelry boxes, stock certificates, cash, gold coins, manila envelopes, and computer disks. Nine square feet of paydirt.
"How much time do we have?" I ask, reaching for the manila envelopes.
"Maybe five minutes. Maybe all night."
"Maybe you should go upstairs and talk to your parents. Then I could be sure-"
"I'm staying here."
The envelopes are thick and marked with handwritten labels. The handwriting is Leo's. After wading through the mountain of discovery material, I recognize it as easily as my own. One label reads: fedtax '94/NOT to be shown at audit. Another: third-party holdings (land). A third reads:
GRAND CAYMAN TRUST ACCOUNT.
"That's got nothing to do with Del Payton," Livy says over my shoulder.
Maybe not. But it could probably put Leo Marston in jail for a few years, and cost him a considerable portion of his fortune. Reluctantly I set these envelopes aside and continue searching. There are more offshore accounts, records of hidden shares in oil fields, a dozen other ventures. I am about to abandon the files for the computer disks when a label jumps out at me as though written in neon. It says only: edgar.
Inside this folder is a thick sheaf of personal letters, all signed Yours, Edgar. The first begins, Dear Leo, In the matter of the Nixon funds, please be assured that I consider your work in this area to be exemplary, and also a direct favor to me. He has his idiosyncrasies, yes, but he is a sound man, and we understand each other. The possibility of a Muskie or McGovern in the White House cannot be contemplated for one moment-
The woodwind oomph of a wine bottle being uncorked draws my gaze away from the safe. Livy has taken a bottle of red from Leo's cherrywood bar and opened it with a silver corkscrew.
"Pretend it's our lost bottle," she says in a cynical voice.
She takes two Waterford goblets from the bar and fills them to the rim, then lifts one to her lips. She drinks a long swallow and passes it to me. Her upper lip is stained red, but she doesn't wipe it. She simply watches me drink. I can't read anything in her expression. The wine is tart on my tongue, acidic. She takes back the glass, drains it, then sets it beside the bottle and lifts the second glass to her lips. Half the wine disappears in three swallows.
She is more upset than I thought.
I turn back to the safe and flip quickly through the Hoover letters, searching for any mention of Del Payton, John Portman, or Dwight Stone. Most of the letters date from the seventies, after the secret relationship was well established, and deal with political matters.
"Is there a computer in here?" I ask, glancing at the 3.5-inch floppies.
"There's a PowerBook in the bottom drawer of the desk."
I'm reaching for the disks when Livy's wineglass shatters on the floor beside me.
"Someone's coming!"
As quickly as I can, I slide the manila envelopes back into the safe-all but the Edgar file-and shut the steel door.
"The rug!" she hisses.
While I unroll the rug, Livy shuts the trapdoor and jumps clear. I slide the rug into place just as someone begins jerking at the doorknob.
"Who's in there?" says a muffled voice.
It's Leo.
Livy thumps the envelope in my hands. "If you want that file, you'd better do something with it. Quick."
Leo bangs on the door. "Who's in there?"
"It's me, Daddy. I'm coming."
Unbuckling my belt, I shove the envelope down the back of my pants, retuck my shirt over it, then zip up and rebuckle the belt. As I do this, Livy unbuttons the top three buttons of her blouse and musses her hair.