"Very well. Beesty took over the job of seeing the people from the papers, but it was snatched from him by Denyse, who had prepared a handout with biographical details. Silly, of course, because the papers had that already. But she achieved one thing by it that made me furious: the only mention of my mother in the whole obituary was a reference to 'an earlier marriage to Leola Crookshanks, who died in 1942.' Her name was Cruikshank,
"When was the funeral to be? That was the great question. I was for getting it over as quickly as possible, but the police did not release the body until late on Monday – and
"Where was he to be buried? Certainly not in Deptford, where he was born, though his parents had providently bought a six-holer in the cemetery there years ago, and were themselves the only occupants. But Deptford wouldn't do for Denyse, so a grave had to be bought in Toronto.
"Have you ever bought a grave? It's not unlike buying a house. First of all they show you the poor part of the cemetery, and you look at all the foreign tombstones with photographs imbedded in them under plastic covers, and the inscriptions in strange languages and queer alphabets, and burnt-out candles lying on the grass, and your heart sinks. You wonder, can this be death? How sordid! Because you aren't your best self, you know; you're a stinking snob; funerals bring out that sort of thing dreadfully. You've told yourself for years that it doesn't matter what happens to a corpse, and when cocktail parties become drunken-serious you've said that the Jews have the right idea, and the quickest, cheapest funeral is the best and philosophically the most decent. But when you get into the cemetery, it's quite different. And the cemetery people know it. So you move out of the working-class and ethnic district into the area of suburban confines, but the gravestones are really rather close together and the inscriptions are in bad prose, and you almost expect to see jocular inscriptions like 'Take-It-Aisy' and 'Dunroamin' on the stones along with 'Till the Day Breaks' and 'In the Everlasting Arms.' Then things begin to brighten; bigger plots, no crowding, an altogether classier type of headstone and – best of all – the names of families you know. On the Resurrection Morn, after all, one doesn't want to jostle up to the Throne with a pack of strangers. And that's where the deal is settled.
"Did you know, by the way, that somebody has to own a grave? Somebody, that is, other than the occupant. I own my father's grave. A strange thought."
"Who owns your mother's grave? And why was your father not buried near her?"
"I own her grave, because I inherited it as part of my father's estate. The only bit of real estate he left me, as a matter of fact. And because she died during the war, when my father was abroad, the funeral had to be arranged by a family friend, and he just bought one grave. A good one, but single. She lies in the same desirable area as my father, but not near. As in life.