Wolfe sighed again, and set about the process of rising from his chair. "Thank God," he said, "the hour saves me from further analogies and colloquialisms." The clock on the wall said one minute till four – time for him to go up to the plant-rooms. He made it to his feet, pulled the points of his vest down but failed as usual to cover with it the fold of bright yellow shirt that had puffed out, and moved across to the door.
At the threshold he paused. "Archie."
"Yes, sir."
"Phone Murger's to send over at once a copy of Devil Take the Hindmost, by Paul Chapin."
"Maybe they won't. It's suppressed pending the court decision."
"Nonsense. Speak to Murger or Ballard. What good is an obscenity trial except to popularize literature?"
He went on towards the elevator, and I sat down at my desk and reached for the telephone.
2
After breakfast the next morning, Saturday, I fooled with the plant records a while and then went to the kitchen to annoy Fritz.
Wolfe, of course, wouldn't be down until eleven o'clock. The roof of the old brownstone house on West Thirty-fifth Street where he had lived for twenty years, and me with him for the last seven of them, was glassed in and partitioned into rooms where varying conditions of temperature and humidity were maintained – by the vigilance of Theodore Horstmann – for the ten thousand orchids that lined the benches and shelves.
Wolfe had once remarked to me that the orchids were his concubines: insipid, expensive, parasitic and temperamental.