His essay treats ostensibly of Tolstoy’s view of history. But it starts with a penetrating idea on Tolstoy himself. Let us divide writers into hedgehogs and foxes. ‘The fox knows many things, but the hedgehog knows one big thing.’ The foxes chase after everything in the world, never aiming at a single point, never acquiring a single vision. The hedgehog is dedicated and dominated, for him everything must revolve round a centre. It is easy to agree that writers fall into the two classes of those for whom the heavens have opened and those for whom they have not. Pushkin, for example, was a fox; Dostoevsky a hedgehog. But what is Tolstoy? Mr Berlin gives a brilliant answer which carries him through most of his essay: Tolstoy was by nature a fox, who believed in being a hedgehog. He had an incomparable gift for creating a picture of real life, building it up from endless details of individuals and events; and when he was off his guard he sometimes implied that if we could know every tiny happening, we would understand the causes of events. But when he pulled himself up and became conscious, he regarded this view as wicked. Somewhere there must be the secret of the universe, which was more than the sum of its parts. This secret always evaded him; and he became the more destructive of the answers given by others, because he had failed to find one for himself.
The experienced reader of
Where did Tolstoy get this doctrine of underlying truth from? This is the second of Mr Berlin’s ideas: he got it from Maistre. Mr Berlin shows that many of the historical details come from Maistre’s correspondence [sc.
THE OWL AND THE PUSSY-CAT
With apologies to Mr Isaiah Berlin,
to the hedgehog, and to the fox
For those who will seek them out there are two kinds of animals said to frequent the English countryside.2 On the one hand, strange two-legged creatures – round, fluffy, generally silent; predacious yet shy, airborne in a queer noctambulous way, credited by biologists with nocturnal vision, wise, ghostly, mysterious, detached; on the other, four-footed creatures, equally voracious; but sly, not shy; seasonally amorous and then vocal; endowed with queer self-sufficiency and even endearing charm, yet fundamentally and deeply involved in the ephemeral world of phenomena –