Yet the analogy must not be overstressed: it is true that both Maistre and Tolstoy attach the greatest possible importance to war and conflict, but Maistre, like Proudhon after him,1 glorifies war, and declares it to be mysterious and divine, while Tolstoy detests it and regards it as in principle explicable if only we knew enough of the many minute causes – the celebrated ‘differential’ of history. Maistre believed in authority because it was an irrational force, he believed in the need to submit, in the inevitability of crime and the supreme importance of inquisitions and punishment. He regarded the executioner as the cornerstone of society, and it was not for nothing that Stendhal called him
Maistre supported the principle of hierarchy and believed in a self-sacrificing aristocracy, heroism, obedience, and the most rigid control of the masses by their social and theological superiors. Accordingly he advocated that education in Russia be placed in the hands of the Jesuits; they would at least inculcate into the barbarous Scythians the Latin language, which was the sacred tongue of humanity if only because it embodied the prejudices and superstitions of previous ages – beliefs which had stood the test of history and experience – alone able to form a wall strong enough to keep out the terrible acids of atheism, liberalism and freedom of thought. Above all he regarded natural science and secular literature as dangerous commodities in the hands of those not completely indoctrinated against them, a heady wine which would dangerously excite, and in the end destroy, any society not used to it.
Tolstoy all his life fought against open obscurantism and artificial repression of the desire for knowledge; his harshest words were directed against those Russian statesmen and publicists in the last quarter of the nineteenth century – Pobedonostsev and his friends and minions – who practised precisely these maxims of the great Catholic reactionary. The author of