(TRANSLATION BY MUNRO.)
He is a strange man, this Lucretius, obviously nervous and unstable; story has it that a love-philtre has poisoned him, and left him subject to fits of melancholy and insanity. He is all sensitivity, all pride, wounded by every prick of circumstance; a man born for peace, and forced to live in the midst of Caesar’s alarms; a man with the make-up of a mystic and a saint, hardening himself into a materialist and a skeptic; a lonely soul, driven into solitude by his shyness, and yet pining for companionship and affection. He is a dark pessimist, who sees everywhere two self-canceling movements—growth and decay, reproduction and destruction,Venus and Mars, life and death. All forms begin and have their end; only atoms, space, and law remain; birth is a prelude to corruption, and even this massive universe will thaw and flow back into formlessness:
(PARAPHRASE BY MALLOCK.)
It is a sad philosophy, hardly calculated to give men courage in the face of fate; no wonder story tells how Lucretius killed himself (55 B.C.) at the age of forty-one.What ennobles this verse for us is the sincerity of the poet, and the rugged power of the poetry. The Latin of his lines is rude yet; a generation must pass before the language of the Romans will be polished into rhythm and refinement by Cicero’s vain (and Virgil’s careful) pen; but the liquid fluency of the great orator, and the feminine grace of Augustus’ favorite, yield to these masculine hexameters, these picturesque unwonted adjectives, these stately verbs and resounding substantives. As we listen we are transported into the Garden of Epicu-rus, and hear the distant laughter of Democritus, who knew what Lucretius did not know: that gaiety is wiser than wisdom.