My name is Calpurnia Virginia Tate, but back then everybody called me Callie Vee. That summer, I was eleven years old and the only girl out of seven children. Can you imagine a worse situation? I was spliced midway between three older brothers—Harry, Sam Houston, and Lamar—and three younger brothers—Travis, Sul Ross, and the baby, Jim Bowie, whom we called J.B. The little boys actually managed to sleep at midday, sometimes even piled atop one another like damp, steaming puppies. The men who came in from the fields and my father, back from his office at the cotton gin, slept too, first dousing themselves with tin buckets of tepid well water on the sleeping porch before falling down on their rope beds as if poleaxed.
Yes, the heat was a misery, but it also brought me my freedom. While the rest of the family tossed and dozed, I secretly made my way to the San Marcos River bank and enjoyed a daily interlude of no school, no pestiferous brothers, and no Mother. I didn’t have permission to do this, exactly, but no one said I couldn’t. I got away with it because I had my own room at the far end of the hall, whereas my brothers all had to share, and they would have tattled in a red-hot second. As far as I could tell, this was the sole decent thing about being the only girl.
Our house was separated from the river by a crescent-shaped parcel of five acres of wild, uncleared growth. It would have been an ordeal to push my way through it except that the regular river patrons—dogs, deer, brothers—kept a narrow path beaten down through the treacherous sticker burrs that rose as high as my head and snatched at my hair and pinafore as I folded myself narrow to slide by. When I reached the river, I stripped down to my chemise, floating on my back with my shimmy gently billowing around me in the mild currents, luxuriating in the coolness of the water flowing around me. I was a river cloud, turning gently in the eddies. I looked up at the filmy bags of webworms high above me in the lush canopy of oaks bending over the river. The webworms seemed to mirror me, floating in their own balloons of gauze in the pale turquoise sky.
That summer, all the men except for my grandfather Walter Tate cut their hair close and shaved off their thick beards and mustaches. They looked as naked as blind salamanders for the few days it took to get over the shock of their pale, weak chins. Strangely, Grandfather felt no distress from the heat, even with his full white beard tumbling down his chest. He claimed it was because he was a man of regular and moderate habits who never took whiskey before noon. His smelly old swallowtail coat was hopelessly outdated by then, but he wouldn’t hear of parting with it. Despite regular spongings with benzene at the hands of our maid SanJuanna, the coat always kept its musty smell and strange color, which was neither black nor green.
Grandfather lived under the same roof with us but was something of a shadowy figure. He had long since turned over the running of the family business to his only son, my father, Alfred Tate, and spent his days engaged in “experiments” in his “laboratory” out back. The laboratory was just an old shed that had once been part of the slave quarters. When he wasn’t in the laboratory, he was either out hunting specimens or holed up with his moldering books in a dim corner of the library, where no one dared disturb him.
I asked Mother if I could cut off my hair, which hung in a dense swelter all the way down my back. She said no, she wouldn’t have me running about like a shorn savage. I found this manifestly unfair, to say nothing of
That night I took a pair of embroidery scissors and, with great exhilaration and a pounding heart, cut off the first inch. I looked at the soft haystack of hair cupped in my palm. I was striding forth to greet my future in the shiny New Century, a few short months away. It seemed to me a great moment indeed. I slept poorly that night in fear of the morning.