The Dark Tower

He was on the verge of retreating, and at full speed, when he realized he could not; the low men (probably led by the one who’d told him the faddah was dinnah) were back that way. And Oy was looking at him with bright-eyed impatience, clearly wanting to go on. Oy was no dummy, but he showed no signs of alarm, at least not concerning what was ahead.

For his own part, Oy still couldn’t understand the boy’s problem. He knew the boy was tired—he could smell that—but he also knew Ake was afraid. Why? There were unpleasant smells in this place, the smell of many men chief among them, but they did not strike Oy as immediately dangerous. And besides, her smell was here. Very fresh now. Almost new.

“Ake!” he yapped again.

Jake had his breath now. “All right,” he said, looking around. “Okay. But slow.”

“Lo,” Oy said, but even Jake could detect the stunning lack of approval in the bumbler’s response.

Jake moved only because he had no other options. He walked up the slope of the overgrown trail (in Oy’s perception the way was perfectly straight, and had been ever since leaving the stairs) toward the vine- and fern-fringed opening, toward the lunatic chitter of the monkey and the testicle-freezing roar of the hunting lion. The song circled through his mind again and again

(in the village . . . in the jungle . . . hush my darling, don’t stir my darling . . .)

and now he knew the name of it, even the name of the group

(that’s the Tokens with “The Lion Sleeps Tonight,” gone from the charts but not from our hearts)

that had sung it, but what was the movie? What was the name of the goddam mo—

Jake reached the top of the slope and the edge of the clearing. He looked through an interlacing of broad green leaves and brilliant purple flowers (a tiny green worm was journeying into the heart of one), and as he looked, the name of the movie came to him and his skin broke out in gooseflesh from the nape of his neck all the way down to his feet. A moment later the first dinosaur came out of the jungle (the mighty jungle), and walked into the clearing.

FIVE

Once upon a time long ago

(far and wee)

when he was just a little lad;

(there’s some for you and some for me)

once upon a time when mother went to Montreal with her art club and father went to Vegas for the annual unveiling of the fall shows;

(blackberry jam and blackberry tea)

once upon a time when ’Bama was four—

SIX

’Bama’s what the only good one

(Mrs. Shaw Mrs. Greta Shaw)

calls him. She cuts the crusts off his sandwiches, she puts his nursie-school drawings on the fridge with magnets that look like little plastic fruits, she calls him ’Bama and that’s a special name to him

(to them)

because his father taught him one drunk Saturday afternoon to chant “Go wide, go wide, roll you Tide, we don’t run and we don’t hide, we’re the ’Bama Crimson Tide!” and so she calls him ’Bama, it’s a secret name and how they know what it means and no one else does is like having a house you can go into, a safe house in the scary woods where outside the shadows all look like monsters and ogres and tigers.

(“Tyger, tyger, burning bright,” his mother sings to him, for this is her idea of a lullabye, along with “I heard a fly buzz . . . when I died,” which gives ’Bama Chambers a terrible case of the creeps, although he never tells her; he lies in bed sometimes at night and sometimes during afternoon naptime thinking I will hear a fly and it will be my deathfly, my heart will stop and my tongue will fall down my throat like a stone down a well and these are the memories he denies)