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He paused in the kitchen long enough to wonder what the constabulary of New York had made of it. He was willing to bet they had never seen another like it, not in this city of clean machinery and bright electric lights. This was a kitchen in which Hax, the cook he remembered best from his youth (and beneath whose dead feet he and his best friend had once scattered bread for the birds), would have felt at home. The cookfires had been out for weeks, but the smell of the meat that had been roasted here—some of the variety known as long pork—was strong and nasty. There were more signs of trouble here, as well (a scum-caked pot lying on the green tiles of the floor, blood which had been burned black on one of the stovetops), and Roland could imagine Jake fighting his way through the kitchen. But not in panic; no, not he. Instead he had paused to demand directions of the cook’s boy.

What’s your name, cully?

Jochabim, that be I, son of Hossa.

Jake had told them this part of his story, but it was not memory that spoke to Roland now. It was the voices of the dead. He had heard such voices before, and knew them for what they were.

EIGHTEEN

Oy took the lead as he had done the last time he had been here. He could still smell Ake’s scent, faint and sorrowful. Ake had gone on ahead now, but not so very far; he was good, Ake was good, Ake would wait, and when the time came—when the job Ake had given him was done—Oy would catch up and go with him as before. His nose was strong, and he would find fresher scent than this when the time came to search for it. Ake had saved him from death, which did not matter. Ake had saved him from loneliness and shame after Oy had been cast out by the tet of his kind, and that did.

In the meantime, there was this job to finish. He led the man Olan into the pantry. The secret door to the stairs had been closed, but the man Olan felt patiently along the shelves of cans and boxes until he found the way to open it. All was as it had been, the long, descending stair dimly lit by overhead bulbs, the scent damp and overlaid with mold. He could smell the rats which scuttered in the walls; rats and other things, too, some of them bugs of the sort he had killed the last time he and Ake had come here. That had been good killing, and he would gladly have more, if more were offered. Oy wished the bugs would show themselves again and challenge him, but of course they didn’t. They were afraid, and they were right to be afraid, for ever had his kind stood enemy to theirs.

He started down the stairs with the man Olan following behind.

NINETEEN

They passed the deserted kiosk with its age-yellowed signs (NEW YORK SOUVENIRS, LAST CHANCE, and VISIT SEPTEMBER 11, 2001), and fifteen minutes later—Roland checked his new watch to be sure of the time—they came to a place where there was a good deal of broken glass on the dusty corridor floor. Roland picked Oy up so he wouldn’t cut the pads of his feet. On both walls he saw the shattered remains of what had been glass-covered hatches of some kind. When he looked in, he saw complicated machinery. They had almost caught Jake here, snared him in some kind of mind-trap, but once again Jake had been clever enough and brave enough to get through. He survived everything but a man too stupid and too careless to do the simple job of driving his bucka on an empty road, Roland thought bitterly. And the man who brought him therethat man, too. Then Oy barked at him and Roland realized that in his anger at Bryan Smith (and at himself), he was squeezing the poor little fellow too tightly.

“Cry pardon, Oy,” he said, and put him down.

Oy trotted on without making any reply, and not long after Roland came to the scattered bodies of the boogers who had harried his boy from the Dixie Pig. Here also, printed in the dust that coated the floor of this ancient corridor, were the tracks he and Eddie had made when they arrived. Again he heard a ghost-voice, this time that of the man who had been the harriers’ leader.

I know your name by your face, and your face by your mouth. ’Tis the same as the mouth of your mother, who did suck John Farson with such glee.

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