The Dark Tower

Roland turned the body over with the toe of his boot (a hume named Flaherty, whose da’ had put a fear of dragons in his head, had the gunslinger known or cared . . . which he did not) and looked down into the dead face, which was already growing a crop of mold. Next to him was the stoat-head taheen whose final proclamation had been Be damned to you, then, chary-ka. And beyond the heaped bodies of these two and their mates was the door that would take him out of the Keystone World for good.

Assuming that it still worked.

Oy trotted to it and sat down before it, looking back at Roland. The bumbler was panting, but his old, amiably fiendish grin was gone. Roland reached the door and placed his hands against the close-grained ghostwood. Deep within he felt a low and troubled vibration. This door was still working but might not be for much longer.

He closed his eyes and thought of his mother bending over him as he lay in his little bed (how soon before he had been promoted from the cradle he didn’t know, but surely not long), her face a patchwork of colors from the nursery windows, Gabrielle Deschain who would later die at those hands which she caressed so lightly and lovingly with her own; daughter of Candor the Tall, wife of Steven, mother of Roland, singing him to sleep and dreams of those lands only children know.

Baby-bunting, baby-dear,

Baby, bring your berries here.

Chussit, chissit, chassit!

Bring enough to fill your basket!

So far I’ve traveled, he thought with his hands splayed on the ghostwood door. So far I’ve traveled and so many I’ve hurt along the way, hurt or killed, and what I may have saved was saved by accident and can never save my soul, do I have one. Yet there’s this much: I’ve come to the head of the last trail, and I need not travel it alone, if only Susannah will go with me. Mayhap there’s still enough to fill my basket.

“Chassit,” Roland said, and opened his eyes as the door opened. He saw Oy leap nimbly through. He heard the shrill scream of the void between the worlds, and then stepped through himself, sweeping the door shut behind him and still without a backward look.

CHAPTER IV: FEDIC (TWO VIEWS)

ONE

Look at how brilliant it is here!

When we came before, Fedic was shadowless and dull, but there was a reason for that: it wasn’t the real Fedic but only a kind of todash substitute; a place Mia knew well and remembered well (just as she remembered the castle allure, where she went often before circumstances—in the person of Walter o’ Dim—gave her a physical body) and could thus re-create. Today, however, the deserted village is almost too bright to look at (although we’ll no doubt see better once our eyes have adjusted from the murk of Thunderclap and the passage beneath the Dixie Pig). Every shadow is crisp; they might have been cut from black felt and laid upon the oggan. The sky is a sharp and cloudless blue. The air is chill. The wind whining around the eaves of the empty buildings and through the battlements of Castle Discordia is autumnal and somehow introspective. Sitting in Fedic Station is an atomic locomotive—what was called a hot-enj by the old people—with the words SPIRIT OF TOPEKA written on both sides of the bullet nose. The slim pilot-house windows have been rendered almost completely opaque by centuries of desert grit flung against the glass, but little does that matter; the Spirit of Topeka has made her last trip, and even when she did run regularly, no mere hume ever guided her course. Behind the engine are only three cars. There were a dozen when she set out from Thunderclap Station on her last run, and there were a dozen when she arrived in sight of this ghost town, but . . .

Ah, well, that’s Susannah’s tale to tell, and we will listen as she tells it to the man she called dinh when there was a ka-tet for him to guide. And here is Susannah herself, sitting where we saw her once before, in front of the Gin-Puppy Saloon. Parked at the hitching rail is her chrome steed, which Eddie dubbed Suzie’s Cruisin Trike. She’s cold and hasn’t so much as a sweater to pull close around her, but her heart tells her that her wait is almost over. And how she hopes her heart is right, for this is a haunted place. To Susannah, the whine of the wind sounds too much like the bewildered cries of the children who were brought here to have their bodies roont and their minds murdered.