The hens peck, cluck, and goggle around their coop, and the brittle, muddy garden swishes in the evening wind.
“But what about my family?” I hear Lorelei saying.
“Permission to immigrate is for Miss Цrvarsdottir,” Aronsson addresses me, “
“How can I leave my family behind?” Lorelei’s saying.
“It is difficult,” Lieutenant Eriksdottir tells her. “But please consider it, Lorelei. The Lease Lands have been safe, but those days are over, as you learned today. There is a broken nuclear reactor not far enough away, if the wind blows wrongly. Iceland is safe. This is why the immigration quota is so strict. We have geothermal electricity and your uncle Halgrid’s family will care for you.”
I remember Цrvar’s older brother from my summer in Reykjavik. “Halgrid’s still alive?”
“Of course. Our isolation saves us from the worst”—Commander Aronsson searches for the word—“hardships of the Endarkenment.”
“There must be a lot of Icelandic nationals around the globe,” says Mo, “praying for a deus ex machina to sail up to the bottom of the garden. Why Lorelei? And why such a timely arrival?”
“Ten days ago we learned that the Pearl Occident Company was planning to withdraw from Ireland,” says the commander. “At that point, one of the president’s advisers,” Aronsson looks sideways at Harry Veracruz with something like a scowl, “persuaded our president that your granddaughter’s repatriation is a matter of national importance.”
So we look at Harry Veracruz, who must be more influential than he appears. He’s leaning on the gate like a neighbor who’s dropped by for a chat, making a what-can-I-say face. He tells me in his young voice: “Normally I’d try to prepare the ground better, Holly, but this time I lacked the opportunity. To cut a long story short, I’m Marinus.”
I’m sort of floating up, as if lifted by waves; my hands grasp the nearest things, which are the door frame and Lorelei’s elbow. I hear a sound, like the pages of a very thick book being flicked, but it’s only the wind in the shrubberies. The doctor in Gravesend; the psychiatrist in Manhattan; the voice in my head in the labyrinth that couldn’t exist, but did; and this young man watching me, from ten paces away.
Wait. How do I know? Sure Harry Veracruz looks honest, but so do all successful liars. Then I hear his voice in my head:
“Gran?” Lorelei sounds panicky. “You want to sit down?”
A mistlethrush is singing on my spade in the kale patch.
With effort, I shake my head. “No, I …” Then I ask him, in a croak, “Where have you
Marinus—I remember the verb—“subspeaks.”
“What about the War?” I ask. “Did you—did we—win?”
The young man’s smile is ambivalent.
“Holly?” Mo’s got an is-she-losing-her-marbles face. “What war?”
“This is an old friend,” I reply, “from … my, uh, author days.”