It’s Jacko. He just stands there, watching me. The real Jacko’s twenty-odd miles away, I know, drawing a maze or reading a chess book or doing something Jacko-ish, but the kid I’m looking at’s got the same floppy brown hair, shape, way of standing, even a red Liverpool FC top. I know Jacko and this is him or an identical twin nobody knows about. I keep walking, not daring to blink in case he vanishes. When I’m fifty meters away I wave, and the kid who can’t be my little brother waves. So I shout his name. He doesn’t shout back, but turns and walks down into the underpass. I don’t know what to make of it, but I jog along now, nervous that Jacko’s done a runner to come and find me, even though the sensible part of me is sure it can’t be him ’cause how’d Jacko know where to look?
I run as fast I can, now, knowing something strange is going on, but not knowing what. The underpass is for walkers and cyclists only so it’s quite narrow, and as long as the width of the four traffic lanes and the grass in the middle it goes under. Ahead, down and then up a bit, the far exit’s a square of fields, sky, and roofs. I’ve taken a few steps in before I notice it: Instead of getting darker towards the middle of the underpass, it’s actually getting lighter; instead of getting echoier, it’s getting more muffled. I tell myself,
Miss Constantin, from my armchair when I was seven years old. Why’s my mind doing this to me now? We head towards a picture hanging in a sharp corner, of a man like a saint from Bible times, but his face has no eyes. I’m inches away now. There’s a black spot on the saint’s forehead, a bit above where the eyebrows meet. It’s growing. The spot’s a dot. The dot’s an eye. Then I feel one on my own forehead, in the same place, but I’m not quite sure I’m still Holly Sykes, not exactly, though if I’m not me, who else could I be? From the spot between my eyes something comes out and hovers there. If I look straight at it, it goes, but if I look away a bit, it’s like a small, shimmery planet thing. Then another comes out, and another, and another. Four shimmerings. I taste green tea. Then it’s like bombs going off and Miss Constantin’s howling and her hands are talons, but she’s flung away, bowled down the table by whip-cracking blue light. The old saint’s mouth’s opened, full of animal teeth, and metal screams and stone groans. Figures and shadows appear like a shadow-puppet show in the mind of someone going mad. One older man springs onto the table. He has piranha-fish eyes, curly black locks, a busted nose, a black suit, and there’s a strange indigo light coming off him, like he’s radioactive. He helps Miss Constantin up, and she points a silver-tipped finger straight towards me. Black flames and a roaring loud as jet engines fill the place, and I can’t run and I can’t fight, and I can’t even see anymore so all I can do is stand there and listen to voices, like voices shouting as a building collapses on their owners, but I catch one clear voice saying,