Confusion between the two is disastrously widespread in common culture. This “butterfly in India” metaphor has fooled at least one filmmaker. For instance,
Take a personal computer. You can use a spreadsheet program to generate a random sequence, a succession of points we can call a history. How? The computer program responds to a very complicated equation of a nonlinear nature that produces numbers that seem random. The equation is very simple: if you know it, you can predict the sequence. It is almost impossible, however, for a human being to reverse engineer the equation and predict further sequences. I am talking about a simple one-line computer program (called the “tent map”) generating a handful of data points, not about the billions of simultaneous events that constitute the real history of the world. In other words, even if history were a nonrandom series generated by some “equation of the world,” as long as reverse engineering such an equation does not seem within human possibility, it should be deemed random and not bear the name “deterministic chaos.” Historians should stay away from chaos theory and the difficulties of reverse engineering except to discuss general properties of the world and learn the limits of what they can’t know.
This brings me to a greater problem with the historian’s craft. I will state the fundamental problem of practice as follows: while in theory randomness is an intrinsic property, in practice, randomness is
Nonpractitioners of randomness do not understand the subtlety. Often, in conferences when they hear me talk about uncertainty and randomness, philosophers, and sometimes mathematicians, bug me about the least relevant point, namely whether the randomness I address is “true randomness” or “deterministic chaos” that masquerades as randomness. A true random system is in fact random and does not have predictable properties. A chaotic system has entirely predictable properties, but they are hard to know. So my answer to them is dual.
a) There is no functional difference in practice between the two since we will never get to make the distinction—the difference is mathematical, not practical. If I see a pregnant woman, the sex of her child is a purely random matter to me (a 50 percent chance for either sex)—but not to her doctor, who might have done an ultrasound. In practice, randomness is fundamentally incomplete information.
b) The mere fact that a person is talking about the difference implies that he has never made a meaningful decision under uncertainty—which is why he does not realize that they are indistinguishable in practice.
Randomness, in the end, is just unknowledge. The world is opaque and appearances fool us.
One final word on history.
History is like a museum where one can go to see the repository of the past, and taste the charm of olden days. It is a wonderful mirror in which we can see our own narratives. You can even track the past using DNA analyses. I am fond of literary history. Ancient history satisfies my desire to build my own self-narrative, my identity, to connect with my (complicated) Eastern Mediterranean roots. I even prefer the accounts of older, patently less accurate books to modern ones. Among the authors I’ve reread (the ultimate test of whether you like an author is if you’ve reread him) the following come to mind: Plutarch, Livy, Suetonius, Diodorus Siculus, Gibbon, Carlyle, Renan, and Michelet. These accounts are patently substandard, compared to today’s works; they are largely anecdotal, and full of myths. But I know this.
History is useful for the thrill of knowing the past, and for the narrative (indeed), provided it remains a harmless narrative. One should learn under severe caution. History is certainly not a place to theorize or derive general knowledge, nor is it meant to help in the future, without some caution. We can get negative confirmation from history, which is invaluable, but we get plenty of illusions of knowledge along with it.