The Best Horror of the Year. Volume 4

Vasquez could not pin down the exact moment Mr. White had joined their group. When he had shouldered his way past Lavalle and Maxwell, his left hand up to stop Plowman from tilting the prisoner backwards, Just-Call-Me-Bill from pouring the water onto the man’s hooded face, she had thought, Who the hell? And, as quickly, Oh — Mr. White. He must have been with them for some time for Plowman to upright the prisoner, Bill to lower the bucket and step back. The flint knife in his right hand, its edge so fine you could feel it pressing against your bare skin, had not been unexpected. Nor had what had followed.

It was Mr. White who had suggested they transfer their operations to the Closet, a recommendation Just-Call-Me-Bill had been happy to embrace. Plowman, at first, had been noncommittal. Mr. White’s… call it his taking a more active hand in their interrogations, had led to him and Bill spending increased time together. Ruiz had asked the CIA man what he was doing with the man whose suit, while seemingly filthy, was never touched by any of the blood that slicked his knife, his hands. Education, Just-Call-Me-Bill had answered. Our friend is teaching me all manner of things.

As he was instructing the rest of them, albeit in more indirect fashion. Vasquez had learned that her father’s stories of the Villa Grimaldi, which he had withheld from her until she was fifteen, when over the course of the evening after her birthday she had been first incredulous, then horrified, then filled with righteous fury on his behalf, had little bearing on her duties in the Closet. Her father had been an innocent man, a poet, for God’s sake, picked up by Pinochet’s Caravana de la Muerte because they were engaged in a program of terrorizing their own populace. The men (and occasional women) at whose interrogations she assisted were terrorists themselves, spiritual kin to the officers who had scarred her father’s arms, his chest, his back, his thighs, who had scored his mind with nightmares from which he still fled screaming, decades later. They were not like you and me, and that difference authorized and legitimized whatever was required to start them talking.

By the time Mahbub Ali was hauled into the Closet, Vasquez had learned other things, too. She had learned that it was possible to concentrate pain on a single part of the body, to the point that the prisoner grew to hate that part of himself for the agony focused there. She had learned that it was preferable to work slowly, methodically — religiously, was how she thought of it, though this was no religion to which she’d ever been exposed. This was a faith rooted in the most fundamental truth Mr. White taught her, taught all of them, namely, that the flesh yearns for the knife, aches for the cut that will open it, relieve it of its quivering anticipation of harm. As junior member of the Detail, she had not yet progressed to being allowed to work on the prisoners directly, but it didn’t matter. While she and Buchanan sliced away a prisoner’s clothes, exposed bare skin, what she saw there, a fragility, a vulnerability whose thick, salty taste filled her mouth, confirmed all of Mr. White’s lessons, every last one.

Nor was she his best student. That had been Plowman, the only one of them to whom Mr. White had entrusted his flint knife. With Just-Call-Me-Bill, Mr. White had maintained the air of a senior colleague; with the rest of them, he acted as if they were mannequins, placeholders. With Plowman, though, Mr. White was the mentor, the last practitioner of an otherwise-dead art passing his knowledge on to his chosen successor. It might have been the plot of a Steven Seagal film. And no Hollywood star could have played the eager apprentice with more enthusiasm than Plowman. While the official cause of Mahbub Ali’s death was sepsis resulting from improperly tended wounds, those missing pieces of the man had been parted from him on the edge of Mr. White’s stone blade, gripped in Plowman’s steady hand.

VI