The inhabitants of the market were as varied and as curious as the wares offered for sale: there were Hausa men clad in their brilliant white robes and little white skull-caps; local chieftains in multi-coloured robes and richly embroidered caps with tassels; there were the pagans from distant mountain villages, wearing nothing but a scrap of dirty leather round the loins, their teeth filed to points, their faces tattooed. For them this represented a teeming metropolis, and the market was perhaps the high spot of the year's amusements. They argued fiercely, waving their arms, pushing each other, their dark eyes shining with delight, over such things as cocoa yams or Cane Rats; or else they stood in little groups gazing with hopeless longing at the toppling piles of multi-coloured cloth, milling round from one vantage point to another, in order to get the best views of these unobtainable luxuries.
My staff and the lorry driver disappeared into this pungent, swirling crowd like ants into a treacle tin, and I was left to wander round by myself. After a time I decided to try to take some photographs of the pagan tribesmen, so I set up the camera and started to focus it. Immediately, pandemonium broke loose; the tribesmen with one accord dropped their goods and chattels and fled for the nearest shelter, screaming wildly. Rather bewildered by this, for the average African is generally only too pleased to have his photograph taken, I turned to a Hausa standing close by and asked him what was the matter. The explanation was interesting: apparently the pagans knew what a camera was, and knew that it produced pictures of the people it was pointed at. But they were firmly convinced that with each photograph taken the photographer gained a small portion of his subject's soul, and if he took many photographs he would gain complete control over the person in question. This is a good example of witchcraft being brought up to date; in the old days if you obtained some of your victim's hair or toe-nails you had great power over him; nowadays if you get a photograph it apparently acts just as well. However, in spite of the reluctance on the parts of my subjects, I did manage to get a few shots of them, by the simple method of standing sideways on, looking in the opposite direction, and taking the photographs from under my arm.
It was not long before I discovered something that drove all thoughts of photography and witchcraft out of my head. In one of the dark little stalls that lined the square I caught a flash of reddish fur, and, moving over to investigate, I found the most delightful monkey on the end of a long string, squatting in the dust and uttering loud and penetrating prroup noises. She had light ginger-coloured fur, a white shirt-front, and a mournful black face, and the strange noises she was making sounded like a cross between a bird cry and the friendly greetings of a cat. She sat and watched me very intently for a few seconds, and then she got up suddenly and started to dance. First she rose on her hind legs and jumped up and down vigorously, holding her long arms wide apart, as though she were going to clasp me to her bosom. Then she got down on all fours and started to bounce like a ball, all four feet leaving the ground, her jumps getting higher and higher the more excited she became. Then she stopped and had a short rest before starting on the next part of the dance; this consisted of standing on all fours, keeping her hindquarters quite still, while she flung her forequarters from side to side like a pendulum.
Having demonstrated the outline, she then showed me what could be done by a really experienced dancing monkey, and she twirled and leapt and bounced until I felt quite dizzy. I had been attracted to her from the first, but this wild dervish dance was irresistible, and I felt that I simply had to buy her. I paid her owner twice what she was worth and carried her off triumphantly. I bought her a bunch of bananas at one of the stalls, and she was so overcome by my generosity that she repaid me by wetting all down the front of my shirt. I rounded up the staff and the driver, all breathing corn beer, and we climbed into the lorry and continued our journey. The monkey sat on my knee, stuffing her mouth with bananas and uttering little cries of excitement and pleasure as she watched the scenery out of the window. In view of her accomplishment, I decided to call her Pavlova, and Pavlova the Patas monkey she became forthwith.
We drove on for some hours, and by the time we were nearing our destination the valleys were washed with deep purple shadows and the sun was sinking leisurely into a thousand scarlet-and-green feathers of cloud behind the highest range of western hills.
Василий Кузьмич Фетисов , Евгений Ильич Ильин , Ирина Анатольевна Михайлова , Константин Никандрович Фарутин , Михаил Евграфович Салтыков-Щедрин , Софья Борисовна Радзиевская
Приключения / Публицистика / Детская литература / Детская образовательная литература / Природа и животные / Книги Для Детей