"If I had twenty thousand, I'd buy this production from Cracknell. He'll be back in a few minutes to tell us that the Hobson woman has quit: and, if she really has, you take it from me that he will close the show. And, even if he manages to jolly her along this time and she comes back, it's going to happen sooner or later. It's a shame to let a show like this close. I believe in it, Sally. It's a darn good play. With Elsa Doland in the big part, it couldn't fail."
Sally started. Her money was too recent for her to have grown fully accustomed to it, and she had never realized that she was in a position to wave a wand and make things happen on any big scale. The financing of a theatrical production had always been to her something mysterious and out of the reach of ordinary persons like herself. Fillmore, that spacious thinker, had brought it into the sphere of the possible.
"He'd sell for less than that, of course, but one would need a bit in hand. You have to face a loss on the road before coming into New York. I'd give you ten per cent on your money, Sally."
Sally found herself wavering. The prudent side of her nature, which hitherto had steered her safely through most of life's rapids, seemed oddly dormant. Sub-consciously she was aware that on past performances Fillmore was decidedly not the man to be allowed control of anybody's little fortune, but somehow the thought did not seem to grip her. He had touched her imagination.
"It's a gold-mine!"
Sally's prudent side stirred in its sleep. Fillmore had chosen an unfortunate expression. To the novice in finance the word gold-mine had repellent associations. If there was one thing in which Sally had proposed not to invest her legacy, it was a gold-mine; what she had had in view, as a matter of fact, had been one of those little fancy shops which are called Ye Blue Bird or Ye Corner Shoppe, or something like that, where you sell exotic bric-a-brac to the wealthy at extortionate prices. She knew two girls who were doing splendidly in that line. As Fillmore spoke those words, Ye Corner Shoppe suddenly looked very good to her.
At this moment, however, two things happened. Gerald and Mr. Bunbury, in the course of their perambulations, came into the glow of the footlights, and she was able to see Gerald's face: and at the same time Mr. Reginald Cracknell hurried on to the stage, his whole demeanour that of the bearer of evil tidings.
The sight of Gerald's face annihilated Sally's prudence at a single stroke. Ye Corner Shoppe, which a moment before had been shining brightly before her mental eye, flickered and melted out. The whole issue became clear and simple. Gerald was miserable and she had it in her power to make him happy. He was sullenly awaiting disaster and she with a word could avert it. She wondered that she had ever hesitated.
"All right," she said simply.
Fillmore quivered from head to foot. A powerful electric shock could not have produced a stronger convulsion. He knew Sally of old as cautious and clear-headed, by no means to be stampeded by a brother's eloquence; and he had never looked on this thing as anything better than a hundred to one shot.
"You'll do it?" he whispered, and held his breath. After all he might not have heard correctly.
"Yes."
All the complex emotion in Fillmore's soul found expression in one vast whoop. It rang through the empty theatre like the last trump, beating against the back wall and rising in hollow echoes to the very gallery. Mr. Bunbury, conversing in low undertones with Mr. Cracknell across the footlights, shied like a startled mule. There was reproach and menace in the look he cast at Fillmore, and a minute earlier it would have reduced that financial magnate to apologetic pulp. But Fillmore was not to be intimidated now by a look. He strode down to the group at the footlights,
"Cracknell," he said importantly, "one moment, I should like a word with you."
CHAPTER VII. SOME MEDITATIONS ON SUCCESS