Читаем Mythos: A Retelling of the Myths of Ancient Greece полностью

‘Stop! Stop! I command you to stop!’ yelled Cadmus like a frantic parent on the touchline watching their son being squashed in a scrum. Stamping the ground in frustration he turned to Harmonia. ‘What is the point of Athena taking all this trouble to force me to create a race of men, only for them to destroy each other? Look at this violence, this bloodlust. What does it mean?’

But even as he spoke, Harmonia was pointing to the centre of the fray. Five of Cadmus’s Spartoi stood in a circle, the sole survivors. The rest lay dead, their blood soaking back into the soil from which they had come. Forward came the five, their swords pointing to the ground. They reached Cadmus and knelt down, heads bowed.

Great was the relief, great the rejoicing from the Tyrians. The day had been strange, as strange a day as mortals had known in all history. But some kind of order seemed to have emerged.

‘What is the name of this place?’ Cadmus asked. ‘Does anyone here know?’

A voice spoke up, the voice of the man who had warned that the Ismenian Dragon was sacred to Ares. ‘I’m from hereabouts,’ he said. ‘We call this “the plain of Thebes”.’

‘Then on this plain shall I build a great city. From now on we are not Tyrians, but Thebans’ – a great cheer went up – ‘and these five Spartoi shall be my Theban lords.’

The Marriage of Cadmus and Harmonia

The Five Founding Lords of Thebes were given the names ECHION, UDAEUS, CHTHONIUS, HYPERENOR and PELOR.fn8 Under the supervision of Cadmus and his loyal army of Tyrian followers they slowly built up a citadel (the Cadmeia) from which grew a flourishing town. In time this town became the powerful city state of Thebes.fn9 The strong wall that encircled it was pierced by seven great bronze gates, each dedicated to the glory of an Olympian god.

The wall was constructed by AMPHION and ZETHUS, twin sons of Zeus by ANTIOPE, the daughter of the local river god ASOPOS. Hermes had been a lover of Amphion and taught him to play the lyre. When it came to the construction of the great wall around the Cadmeia, Amphion sang to the accompaniment of the lyre and the heavy stones carried by Zethus were so enchanted by the music that they floated into place and the city walls were finished in no time. As a result Amphion and Zethus, as well as Cadmus, are credited as co-founders of Thebes.

The work completed, Cadmus and Harmonia turned to the matter of their marriage. Descended from Titans and gods, allied to and punished by Olympians, but very mortal and very human, the pair might nowadays be called an ‘iconic power couple’. Today’s press and social media, one suspects, would hardly be able to resist dubbing them ‘Cadmonia’.

Their status as the foremost lovers of the known world meant their wedding feast was an honour never before accorded a mortal union, attended by the highest in the land and the highest from heaven. The gifts were stupendous. Aphrodite lent Harmonia her girdle, a magical item of lingerie that had the power to provoke the most dizzying and rapturous desire.fn10 It is said that Harmonia was bed-shy and that her love for Cadmus had yet to be consummated. This girdle, loaned for the duration of her honeymoon by the goddess of love and beauty (who may well have been Harmonia’s natural mother), was therefore a gift of great value.

But no wedding gift outshone the necklace that Cadmus conferred upon his bride. It was the most beautiful piece of jewellery yet seen. Fashioned from the choicest chalcedony, jasper, emeralds, sapphires, jade, lapis, amethyst, silver and gold, it caused gasps of wonder amongst the guests when he clasped it about his beautiful wife’s neck.fn11 The whisper went round that it too had been given by Aphrodite.

The whisper added that it had been made by Hephaestus. The whisper went further and suggested that Hephaestus had been urged to make it by his wife Aphrodite because she in turn had been urged to do so by her lover Ares, who – if you remember – nursed a grievance against Cadmus for slaying the Ismenian Dragon. For the cruel and shocking truth about the necklace was that it was cursed. Deeply and irrevocably cursed. Miserable misfortune and tragic calamity would rain down upon the heads of whosoever wore or owned it.

This is all confusing and fascinating in equal measure. If Ares and Aphrodite were indeed Harmonia’s true parents, why would they want to doom their own daughter? All to avenge a dead water snake? Besides, could sweet Harmony really be the child of Love and War? And, if so, why would the gentle issue of those two powerful and frightening forces be cursed by them with such unnatural cruelty?

Перейти на страницу:

Похожие книги

Эра Меркурия
Эра Меркурия

«Современная эра - еврейская эра, а двадцатый век - еврейский век», утверждает автор. Книга известного историка, профессора Калифорнийского университета в Беркли Юрия Слёзкина объясняет причины поразительного успеха и уникальной уязвимости евреев в современном мире; рассматривает марксизм и фрейдизм как попытки решения еврейского вопроса; анализирует превращение геноцида евреев во всемирный символ абсолютного зла; прослеживает историю еврейской революции в недрах революции русской и описывает три паломничества, последовавших за распадом российской черты оседлости и олицетворяющих три пути развития современного общества: в Соединенные Штаты, оплот бескомпромиссного либерализма; в Палестину, Землю Обетованную радикального национализма; в города СССР, свободные и от либерализма, и от племенной исключительности. Значительная часть книги посвящена советскому выбору - выбору, который начался с наибольшего успеха и обернулся наибольшим разочарованием.Эксцентричная книга, которая приводит в восхищение и порой в сладостную ярость... Почти на каждой странице — поразительные факты и интерпретации... Книга Слёзкина — одна из самых оригинальных и интеллектуально провоцирующих книг о еврейской культуре за многие годы.Publishers WeeklyНайти бесстрашную, оригинальную, крупномасштабную историческую работу в наш век узкой специализации - не просто замечательное событие. Это почти сенсация. Именно такова книга профессора Калифорнийского университета в Беркли Юрия Слёзкина...Los Angeles TimesВажная, провоцирующая и блестящая книга... Она поражает невероятной эрудицией, литературным изяществом и, самое главное, большими идеями.The Jewish Journal (Los Angeles)

Юрий Львович Слёзкин

Культурология