He followed the beautiful, ever young Eos around as faithfully and lovingly as ever. ‘Please, pity me,’ he would screech in his hoarse, piping tones. ‘Kill me, crush me, let it all end, I beg.’
But she could no longer understand him. All she heard were husky cheeps and chirps. Inside, however, she guessed well enough what he was trying to say.
Eos may not have had the ability to grant immortality or eternal youth, but she was gifted with enough divine power to do something to end her beloved’s misery. One evening, when she felt neither of them could take any more, she closed her eyes, concentrated hard and watched through hot tears as Tithonus’s poor shrunken body made the very few changes necessary to turn him from a withered, old man into a grasshopper.fn2
In this new form Tithonus hopped from the cold marble floor onto the ledge of the balcony before leaping out into the night. She saw him in her sister Selene’s cold moonlight, clinging to a long blade of grass that swayed in the night breeze. His back legs scraped out a sound that might have been a grateful chirrup of loving farewell. Her tears fell and somewhere, far away, Aphrodite laughed.fn3
The Bloom of Youth
The story of Eos and Tithonus can be considered a kind of domestic tragedy. Greek myth offers us many more stories of love between gods and mortals that more often fit into the genre ‘doomed romance’, sometimes with an element of rom-com, farce or horror thrown in. In these love affairs the gods seem always to say it with flowers. The Greek for flower is
Hyacinthus, a beautiful Spartan prince, had the misfortune to be loved by two divinities, Zephyrus, the West Wind, and golden Apollo. Hyacinthus himself much preferred the beautiful Apollo and repeatedly turned down the wind’s playful but increasingly fierce advances.
One afternoon Apollo and Hyacinth were competing in athletic events and Zephyrus, in a fit of jealous rage, blew Apollo’s discus off course, sending it skimming at speed straight towards Hyacinth. It struck him hard on the forehead, killing him stone dead.
In a flood of grief Apollo refused Hermes the right to transport the youth’s soul to Hades, instead mixing the mortal blood that gushed from his adored one’s brow with his own divine and fragrant tears. This heady juice dropped into the soil and from it bloomed the exquisite and sweet-smelling flower that bears Hyacinth’s name to this day.
Crocus was a mortal youth who pined without success for the nymph SMILAX. Out of pity, the gods (we don’t really know which one) turned him into the saffron flower that we call crocus, while she became a brambly vine, many species of which still flourish under the name
According to another version of this myth, Crocus was the lover and companion of the god Hermes, who accidentally killed him with a discus and in his sorrow turned him into the crocus flower. This is so similar to the story of Apollo and Hyacinthus that you wonder if some bard somewhere got drunk or confused.
There was an early King of Cyprus called THEIAS who was renowned for his remarkable good looks. He and his wife CENCHREIS had a daughter SMYRNA, also known as MYRRHE or MYRRHA, who grew up harbouring secret incestuous love for her handsome father.
Now, Cyprus was sacred to Aphrodite, being the island on which she first set foot after her birth from the foam of the sea, and it was a spiteful Aphrodite who had breathed into Smyrna this unnatural desire for her own father. It seems that the goddess had of late been aggrieved by the inadequacy of King Theias’s prayers and sacrifices to her. He had displayed the temerity to open a new shrine dedicated to Dionysus, a cult which was proving popular amongst the islanders. Aphrodite regarded the neglect of her temples as the worst possible crime, far worse than incest. In the minds of mortals, though, even those of the notoriously laissez-faire and decadent Cyprus, incest was a taboo of the gravest kind. An anguished Smyrna attempted to smother her guilty feelings. But Aphrodite, who really seemed determined to sow mischief, bewitched Smyrna’s maid HIPPOLYTE and brought the whole business to a disturbing crisis.
One evening, when Theias had got himself good and drunk, as he liked to do since his discovery of the vinous virtues of the god Dionysus, Hippolyte, under the spell of Aphrodite, led Smyrna to his chamber and into his bed. The king made greedy love to his daughter there, too intoxicated to question his good fortune. In the dark of night and the fog of wine he failed to recognize the fruit of his own loins; he only knew that a young, desirable, and passionately obliging girl had appeared to pleasure him like some kind of divine succubus.