The Shiloh woman is still out, despite the blaring, high-pitched shriek of the building’s security alarm. She looks frail. I consider leaving her behind, but it would be like abandoning a wounded bird in the clutches of a house cat — death would only come after drawn-out torture. The bruising and fresh scars on the woman’s arms suggest that she’s been tormented long enough already.
But can I keep her safe during my escape? It seems unlikely, but I picture her floating in green liquid, just another face in the death gallery, and know I can’t leave her behind.
I lean over her, tapping her face. “Hey. Wake up.”
No reaction. Whatever they’ve been lacing her IVs with, it’s powerful stuff.
With time running short, I slip the IV needle from her arm, undo her restraints, and pull the blankets away. She’s dressed in a loose hospital johnny. I lean her up. Her head lulls, but I catch it against my chest. “I got you.” Moving carefully, I scoop her up behind her back and under the knees. She’s light. Maybe a hundred pounds.
I head for the door, leading with Katzman’s gun, which is poking out from under the woman’s knees. The hallway is empty. I head for the distant exit sign, passing the
Just beyond the
I move on, toward the exit sign at the end of the hall, which ends at a T junction and a row of windows, slanted at a forty-five-degree angle. Turning left, I see the exit door ahead. I try the knob with my left hand, balancing Shiloh’s weight on my forearm. It’s locked. A key-card terminal is mounted next to the door.
I gently place the woman on the floor and swipe Winters’s card across the flat card reader, but the light flashes red. I try again with the same results. The security alarm triggered by Lyons must have put the building in a lockdown. But there might be a way to override it. I sprint back to the T junction. Halfway between the end of the hall and the elevators, I had spotted a bright red fire alarm.
I round the corner and run for the alarm. It’s encased in a plastic dome to prevent it from behind triggered accidentally, but it lifts up easily enough. I wrap my fingers around the small white handle and pull. The alarm ripping through the hallway becomes a whooping siren. Strobe lights flash.
It’s all enough to keep me from noticing the opening elevator doors — that is, until someone yells, “Don’t move!”
But I move.
And the guard, who probably has no idea what kind of situation he’s just run into, doesn’t see it coming. Because he’s a low-level employee and probably doesn’t know the full extent of what goes on here, I’m merciful. I fire two shots. The first strikes his hand and knocks his weapon — a stun gun — to the floor. The second hits his thigh, far from the femoral artery. With a shout, he drops to the floor, clutching his good hand over his wounded hand over the hole in his leg.
The attack took just over a second.
“Switch to lethal response!” shouts a strong-sounding woman still inside the elevator. “This is Alpha Unit. Target is armed. All units switch to lethal response.” Through the wailing siren, I hear various teams confirming the news. I also hear the sound of readying weapons. I have successfully roused the hornet’s nest.
Running backward, I retreat — not out of fear, but the desire to free Shiloh. A shadow inside the elevator shifts, and I squeeze off a single round.
Someone yelps and ducks back inside.
I keep the security force at bay with two more equally spaced rounds. They saw how fast their man went down. When I reach the T junction, they finally get up the nerve to return fire. A barrage of bullets scorches the air where I stood a moment ago. The rounds punch into the slanted, tinted glass window, which spiderwebs but doesn’t shatter.
While the security team continues to fire blindly, I swipe the key card. The light shines green. Whatever lockdown was put in place by the first alarm has been undone by the fire alarm. The door is unlocked. I whip it open to find a stairwell. But it’s not empty. A team of five security guards turn their heads, and guns, in my direction. I duck back as bullets punch into the backside of the metal door.
The blind fire from the elevator continues until magazines run dry.
In the moment of silence that follows, I heft Shiloh over one shoulder so I can run and fire at the same time. Holding her is a risk. She could get shot. But I’m willing to bet both our lives that the security guards won’t shoot at an unconscious woman. Me? I might. No, I