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MirrorWorld

Crazy has no memory and feels no fear. Dangerous and unpredictable, he’s locked away in SafeHaven, a psychiatric hospital, where he spends the long days watching Wheel of Fortune and wondering what the outside world smells like. When a mysterious visitor arives and offers him a way out Crazy doesn't hesitate to accept.But outside the hospital Crazy is faced with a world on the brink of nuclear annihilation, and find himself relocated to Neuro Inc., a secretive corporation with strange givernment ties. When he discovers evidence of human experimentation he escapes with a syringe, the contents of which are unknown to him but precious to Neuro. Cornered and with a complete disregard for the results, Crazy makes himself indispensable by injecting the substance into his leg.As the substance enters his bloodstream, though, his eyes are opened to a world beyond human experience, where fear is a tool and the shadows hide the source of mankind’s nightmares. Struggling to understand his new abilities, Crazy allies himself with the company he fled and begins peeling back the layers of his past, the brewing war between worlds, how he can stop it — and what he did to start it.With Crazy, Robinson, whose trademarked pacing and inventive plots have been highly praised by bestselling authors like Jonathan Maberry, Scott Sigler and James Rollins, treats readers to a wildly imaginative, frenetically paced thriller exploring the origins of fear.

Jeremy Robinson

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<p>Jeremy Robinson</p><p>MirrorWorld</p>

For all you readers who have taken the time to write and post a review for one of my books.

Every one helps, and I truly appreciate the effort!

<p>ACKNOWLEDGMENTS</p>

With every book, I find writing acknowledgments more difficult. Not because I have no one to thank. Nothing could be further from the truth. It’s that, every year, I have the exact same group of people to thank. In a constantly shifting industry, I’ve been blessed to work with the same core team for the past eight years. But since my job is ultimately to entertain, I fear my repeating thanks to them is becoming redundant for any readers taking the time to peruse these acknowledgments. That said, these are the people who help make my books shine, and like my marriage, which is twenty years strong this year, each new year hones the relationships and improves the end result. So if the following acknowledgments sound familiar to long-term fans, know that these are the people who helped make all these crazy books possible.

Scott Miller at Trident Media Group, my agent and defender, who discovered my first self-published book ten years ago, we’re still just getting started. Peter Wolverton, my editor at Thomas Dunne Books, your honest edits and keen sense of story continue to act as this writer’s forge, refining my stories into something better. Mary Willems, it’s always a delight to work with you, and the critiques you provided for MirrorWorld were spot on and supremely helpful. Also always, thanks to Rafal Gibek and the production team at Thomas Dunne Books for copy edits and critique that make me look like a better writer than I am. Once again, I must thank the art department at Thomas Dunne Books, for supporting this author’s efforts to illustrate and design his own cover. It’s a rare treat. Kane Gilmour, editor of my solo projects and sometimes coauthor, thanks for your unwavering support, time, and energy. And as always, thanks to Roger Brodeur for awesome proofreading. Your attention to detail helps balance my blindness to typos.

Just as my publishing family has remained dedicated, I must also thank my real family, whose unwavering support and excitement about all my projects makes all of this even more fun. My children, Aquila, Solomon, and Norah, your creative energy reminds me of my own childhood and inspires me to keep my imagination young and flexible. And Hilaree, seriously, by the time our coauthored hardcover (The Distance) comes out next fall, we’ll have been married twenty years! Not only have you supported me all that time, you are now launching your own creative career as an author, poet, and artist (on top of homeschooling All. Three. Kids.) I couldn’t be more proud of you, and I look forward to watching your creative path evolve.

<p>PROLOGUE</p>LAS CROABAS, PUERTO RICO

Perfect.

That’s how Bob Alford, vacationing widower-retiree, described his day by the pool, watching the scantily clad women, drinking mai tais, and admiring the sun’s lazy track through the sky. Perfect. Right up until the moment a man of equal age and better physical shape slapped against the concrete beside Alford’s lounge chair. The sharp, wet snap of a body hitting the solid ground opened Alford’s eyes, hidden behind a pair of boxy fit-over sunglasses. Annoyed by the interruption, he glanced at the man, whose wetness suggested he’d just come from the pool.

He closed his eyes again, but the image began to resolve like a photo in a darkroom displayed on the inside of his eyelids. The man wasn’t dressed for the pool. He was dressed for dinner. And the wetness on the pavement … was red. Dark red.

His eyes snapped open just as the first screams rang out. He turned toward the man again, this time noting that he looked flatter than he should, and broken. A pool of blood had formed around him. Definitely dead.

Knowing the man had not simply tripped, Alford turned his eyes up. He didn’t expect to see anything other than empty balconies. Maybe a few people looking down.

But there was something there. Something moving.

Oh my God — something falling. Someone! A woman plummeted from high above, her dinner dress fluttering like a flag caught by a stiff wind. As Alford’s horrified cry joined the chorus, the body sailed past, plunging into the pool. There was a moment of collective stunned silence as the poolside vacationers seemed to be waiting for the woman to surface. Even the lifeguard’s mind had shut down. Alford was the first to snap free from the strange trance. He ran to the edge, feeling momentary hope that the chlorine-scented pool could have saved the woman from the same fate as the man, but the water was already turning red.

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