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He sighed drowsily. The atmosphere of the auction room was close; you weren't allowed to smoke; and altogether he was beginning to regret that he had come. The service continued. Objects of varying unattractiveness came and went, eulogised by the officiating priest, but coldly received by the congregation. Relations between the former and the latter were growing more and more distant. The congregation seemed to suspect the priest of having an ulterior motive in his eulogies, and the priest seemed to suspect the congregation of a frivolous desire to waste his time. He had begun to speculate openly as to why they were there at all. Once, when a particularly repellent statuette of a nude female with an unwholesome green skin had been offered at two dollars and had found no bidders—the congregation appearing silently grateful for his statement that it was the only specimen of its kind on the continent—he had specifically accused them of having come into the auction room merely with the purpose of sitting down and taking the weight off their feet.

"If your thing—your whatever-it-is, doesn't come up soon, Archie," said Reggie, fighting off with an effort the mists of sleep, "I rather think I shall be toddling along. What was it you came to get?"

"It's rather difficult to describe. It's a rummy-looking sort of what-not, made of china or something. I call it Pongo. At least, this one isn't Pongo, don't you know—it's his little brother, but presumably equally foul in every respect. It's all rather complicated, I know, but—hallo!" He pointed excitedly. "By Jove! We're off! There it is! Look! Willie's unleasing it now!"

Willie, who had disappeared through the gold curtain, had now returned, and was placing on a pedestal a small china figure of delicate workmanship. It was the figure of a warrior in a suit of armour advancing with raised spear upon an adversary. A thrill permeated Archie's frame. Parker had not been mistaken. This was undoubtedly the companion-figure to the redoubtable Pongo. The two were identical. Even from where he sat Archie could detect on the features of the figure on the pedestal the same expression of insufferable complacency which had alienated his sympathies from the original Pongo.

The high-priest, undaunted by previous rebuffs, regarded the figure with a gloating enthusiasm wholly unshared by the congregation, who were plainly looking upon Pongo's little brother as just another of those things.

"This," he said, with a shake in his voice, "is something very special. China figure, said to date back to the Ming Dynasty. Unique. Nothing like it on either side of the Atlantic. If I were selling this at Christie's in London, where people," he said, nastily, "have an educated appreciation of the beautiful, the rare, and the exquisite, I should start the bidding at a thousand dollars. This afternoon's experience has taught me that that might possibly be too high." His pince-nez sparkled militantly, as he gazed upon the stolid throng. "Will anyone offer me a dollar for this unique figure?"

"Leap at it, old top," said Reggie van Tuyl. "Twiddle, dear boy, twiddle! A dollar's reasonable."

Archie twiddled.

"One dollar I am offered," said the high-priest, bitterly. "One gentleman here is not afraid to take a chance. One gentleman here knows a good thing when he sees one." He abandoned the gently sarcastic manner for one of crisp and direct reproach. "Come, come, gentlemen, we are not here to waste time. Will anyone offer me one hundred dollars for this superb piece of—" He broke off, and seemed for a moment almost unnerved. He stared at someone in one of the seats in front of Archie. "Thank you," he said, with a sort of gulp. "One hundred dollars I am offered! One hundred—one hundred—one hundred—"

Archie was startled. This sudden, tremendous jump, this wholly unforeseen boom in Pongos, if one might so describe it, was more than a little disturbing. He could not see who his rival was, but it was evident that at least one among those present did not intend to allow Pongo's brother to slip by without a fight. He looked helplessly at Reggie for counsel, but Reggie had now definitely given up the struggle. Exhausted nature had done its utmost, and now he was leaning back with closed eyes, breathing softly through his nose. Thrown on his own resources, Archie could think of no better course than to twiddle his fingers again. He did so, and the high-priest's chant took on a note of positive exuberance.

"Two hundred I am offered. Much better! Turn the pedestal round, Willie, and let them look at it. Slowly! Slowly! You aren't spinning a roulette-wheel. Two hundred. Two-two-two-two-two." He became suddenly lyrical. "Two-two-two—There was a young lady named Lou, who was catching a train at two-two. Said the porter, 'Don't worry or hurry or scurry. It's a minute or two to two-two!' Two-two-two-two-two!"

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Великий французский писатель Виктор Гюго — один из самых ярких представителей прогрессивно-романтической литературы XIX века. Вот уже более ста лет во всем мире зачитываются его блестящими романами, со сцен театров не сходят его драмы. В данном томе представлен один из лучших романов Гюго — «Отверженные». Это громадная эпопея, представляющая целую энциклопедию французской жизни начала XIX века. Сюжет романа чрезвычайно увлекателен, судьбы его героев удивительно связаны между собой неожиданными и таинственными узами. Его основная идея — это путь от зла к добру, моральное совершенствование как средство преобразования жизни.Перевод под редакцией Анатолия Корнелиевича Виноградова (1931).

Виктор Гюго , Вячеслав Александрович Егоров , Джордж Оливер Смит , Лаванда Риз , Марина Колесова , Оксана Сергеевна Головина

Проза / Классическая проза / Классическая проза ХIX века / Историческая литература / Образование и наука