Читаем Indiscretions of Archie полностью

When he entered the Art Galleries a few minutes later, Archie was glad of the moral support of even such a wobbly reed as Reggie van Tuyl. There is something about an auction room which weighs heavily upon the novice. The hushed interior was bathed in a dim, religious light; and the congregation, seated on small wooden chairs, gazed in reverent silence at the pulpit, where a gentleman of commanding presence and sparkling pince-nez was delivering a species of chant. Behind a gold curtain at the end of the room mysterious forms flitted to and fro. Archie, who had been expecting something on the lines of the New York Stock Exchange, which he had once been privileged to visit when it was in a more than usually feverish mood, found the atmosphere oppressively ecclesiastical. He sat down and looked about him. The presiding priest went on with his chant.

"Sixteen-sixteen-sixteen-sixteen-sixteen—worth three hundred—sixteen-sixteen-sixteen-sixteen-sixteen—ought to bring five hundred—sixteen-sixteen-seventeen-seventeen-eighteen-eighteen nineteen-nineteen-nineteen."

He stopped and eyed the worshippers with a glittering and reproachful eye. They had, it seemed, disappointed him. His lips curled, and he waved a hand towards a grimly uncomfortable-looking chair with insecure legs and a good deal of gold paint about it. "Gentlemen! Ladies and gentlemen! You are not here to waste my time; I am not here to waste yours. Am I seriously offered nineteen dollars for this eighteenth-century chair, acknowledged to be the finest piece sold in New York for months and months? Am I—twenty? I thank you. Twenty-twenty-twenty-twenty. YOUR opportunity! Priceless. Very few extant. Twenty-five-five-five-five-thirty-thirty. Just what you are looking for. The only one in the City of New York. Thirty-five-five-five-five. Forty-forty-forty-forty-forty. Look at those legs! Back it into the light, Willie. Let the light fall on those legs!"

Willie, a sort of acolyte, manoeuvred the chair as directed. Reggie van Tuyl, who had been yawning in a hopeless sort of way, showed his first flicker of interest.

"Willie," he observed, eyeing that youth more with pity than reproach, "has a face like Jo-Jo the dog-faced boy, don't you think so?"

Archie nodded briefly. Precisely the same criticism had occurred to him.

"Forty-five-five-five-five-five," chanted the high-priest. "Once forty-five. Twice forty-five. Third and last call, forty-five. Sold at forty-five. Gentleman in the fifth row."

Archie looked up and down the row with a keen eye. He was anxious to see who had been chump enough to give forty-five dollars for such a frightful object. He became aware of the dog-faced Willie leaning towards him.

"Name, please?" said the canine one.

"Eh, what?" said Archie. "Oh, my name's Moffam, don't you know." The eyes of the multitude made him feel a little nervous "Er—glad to meet you and all that sort of rot."

"Ten dollars deposit, please," said Willie.

"I don't absolutely follow you, old bean. What is the big thought at the back of all this?"

"Ten dollars deposit on the chair."

"What chair?"

"You bid forty-five dollars for the chair."

"Me?"

"You nodded," said Willie, accusingly. "If," he went on, reasoning closely, "you didn't want to bid, why did you nod?"

Archie was embarrassed. He could, of course, have pointed out that he had merely nodded in adhesion to the statement that the other had a face like Jo-Jo the dog-faced boy; but something seemed to tell him that a purist might consider the excuse deficient in tact. He hesitated a moment, then handed over a ten-dollar bill, the price of Willie's feelings. Willie withdrew like a tiger slinking from the body of its victim.

"I say, old thing," said Archie to Reggie, "this is a bit thick, you know. No purse will stand this drain."

Reggie considered the matter. His face seemed drawn under the mental strain.

"Don't nod again," he advised. "If you aren't careful, you get into the habit of it. When you want to bid, just twiddle your fingers. Yes, that's the thing. Twiddle!"

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Великий французский писатель Виктор Гюго — один из самых ярких представителей прогрессивно-романтической литературы XIX века. Вот уже более ста лет во всем мире зачитываются его блестящими романами, со сцен театров не сходят его драмы. В данном томе представлен один из лучших романов Гюго — «Отверженные». Это громадная эпопея, представляющая целую энциклопедию французской жизни начала XIX века. Сюжет романа чрезвычайно увлекателен, судьбы его героев удивительно связаны между собой неожиданными и таинственными узами. Его основная идея — это путь от зла к добру, моральное совершенствование как средство преобразования жизни.Перевод под редакцией Анатолия Корнелиевича Виноградова (1931).

Виктор Гюго , Вячеслав Александрович Егоров , Джордж Оливер Смит , Лаванда Риз , Марина Колесова , Оксана Сергеевна Головина

Проза / Классическая проза / Классическая проза ХIX века / Историческая литература / Образование и наука