End of an Era

Dancing around the valley were several dozen troodons. About two-thirds of them were the same bright green as the ones we’d met earlier, but the rest were smaller and more brown in color. Males, probably. A group of them — three males and two females — galloped toward the valley’s far wall, their clawed bird-feet kicking up small clouds of dust. They covered the five hundred meters in a time short enough to make even an Olympic gold medalist seem like a slowpoke. Their goal was a cluster of stationary objects that I hadn’t noticed before: three giant tawny spheres, a trio of those strange breathing Martian spaceships resting on their amorphous slug feet.

Where my wits had been for the last few minutes I didn’t know, but they finally came home to roost. I realized that I was inadvertently spying on an encampment of the Hets. If I was going to do that, I figured I’d better not be seen. I dropped to my belly, the buzz of insects abating for a moment as the confused creatures were left in a cloud around where my head had been.

Christ, my MicroCam! The thing was still off. I fumbled for the switch, then lifted the cheesecloth to wipe sweat from my brow. It was as hot as hell out here. I propped my binoculars in front of my face, resting their weight on my elbows, and twiddled with the knob to bring one of the Het ships into focus. It was indeed the same type of vehicle Klicks and I had ridden in last night: sixty meters across, covered with hexagonal scales, pulsing with respiration.

A plaintive cry split the air, a throaty dirge that seemed to tremble with an equal mixture of pain and sadness. I scanned the valley. A huge, blood-red tyrannosaur was squatting in the sand. A thick yellowish-white sausage dropped from between its legs and I realized that it — she — was laying eggs. No sooner had the soft-shelled package rolled onto the earth than a wiry troodon darted between her massive thighs and scooped it up, running with it up the broad tongue and into the vertical mouth slit of one of the spherical ships.

The hapless tyrannosaur was probably under Het control — I doubted any beast would otherwise lay eggs out in the open like that. But despite the Martian within, it let out another heart-wrenching yell, the cry of a mother who had just lost her child — a stronger display of maternal love than I ever thought I’d see from a Mesozoic carnivore. A few minutes later, with visible effort, it squeezed out another egg. This one was also promptly seized in the opposable digits of a troodon and whisked into the spaceship. I commiserated with the giant reptile. To have something you loved snatched away hurt, I knew, more than any physical injury…

I shook my head, trying to fling the tormenting thoughts out of my skull. The movement startled the insects that had landed on the cheesecloth around my pith helmet into buzzing flight.

I forced my attention onto one of the triceratopses. Charles R. Knight, the father of scientific dinosaur illustration, always painted triceratops so that it resembled a tank. Like many paleontologists, I first became interested in dinosaurs as a child, seeing Knight’s century-old paintings in a book. It was uncanny how much three-horned-face looked like Knight’s renditions of him: quadrupedal, that great bony frill with a fluted rim around the thick neck, two massive white horns sticking straight out above the beady eyes, a third, shorter horn projecting from above the parrot-like beak. But the beast had adornments that had been unknown in Knight’s time, since all he’d had to go by were heavily eroded specimens. Tiny horns pointed downward from the corners of the skull over the jaw hinges, more tiny horns aimed backward from where the eye horns met the bony frill. The perimeter of the frill was lined with squat triangular spikes, giving it a chainsaw edge. The beast measured a good six meters in length from the tips of its eye horns to the end of its stubby tail. But whereas Knight’s triceratopses had plain dun-colored skin, this one’s leather hide was greenish blue dappled with large orange splotches. The design reminded me of — what? Camouflage? Not in that garish color scheme, but the pattern was right.

Suddenly the triceratops I was looking at moved out of my binoculars’ field of vision. By the time I had refocused on it, it had turned around so that it was facing the other way, its left side to me instead of its right. I put the binoculars down and saw that the two other horned-faces were falling in beside this one, their array of facial armament pointing forward like jousters’ lances. One of the beasts was pawing the ground with its stubby foreleg, looking for all the world like a bull about to charge.