So he ends up at the Qrtt residence. Waterhouse and Mr. and Mrs. Qrtt spend the evening huddled round the only source of heat: a coal-burning toaster that has been bricked into the socket of an old fireplace. Every so often Mr. Qrtt opens the door and pelts the ashes with a mote of coal. Mrs. Qrtt ferries out the chow and spies on Waterhouse. She notices his slightly asymmetrical walk and manages to ferret out that he had a spot of polio at one point. He plays the organ--they have a pedal powered harmonium in the parlor--and she remarks on that.
***
Waterhouse first sees Outer Qwghlm through a scupper. He doesn't even know what a scupper is, except a modality of vomiting. The ferry crew gave him and the other half-dozen passengers detailed vomiting instructions before they fought past the Utter Maurby breakwater, the salient point being that if you leaned over the rail, you would almost certainly be swept overboard. Much better to get down on all fours and aim at a scupper. But half the time when Waterhouse peers down one of these, he sees not water but some distant point on the horizon, or seagulls chasing the ferry, or the distinctive three-pronged silhouette of Outer Qwghlm.
The prongs, called Sghrs, are basaltic columns. This being the middle of the Second World War, and Outer Qwghlm being the part of the British Isles closest to the action of the Battle of the Atlantic, they are now flecked with little white radio shacks and hairy with antennas. There is a fourth sghr, much lower than the others and easily mistaken for a mere hillock, that rises above Outer Qwghlm's only harbor (and, indeed, only settlement, not counting the naval base on the other side). On top of this fourth sghr is the castle that is the nominal home of Nigel St. John Gloamthorpby-Woadmire and that is to be the new headquarters of Detachment 2702.
Five minutes' walk encompasses the whole town. A furious rooster chases a feeble sheep down the main street. There is snow at the higher elevations, but just grey slush down here, which is indistinguishable from the grey cobblestones until you step on it and fall down on your ass. The
The Statue is the sort that has a great deal to say and covers a correspondingly large expanse of real estate. Its pedestal is a slab of native basalt, covered on at least one side with what Waterhouse recognizes, from the
"We didn't care for those Romans and that Julius Caesar fellow," observes the taxi driver, "and we weren't too taken with their alphabet either."
Indeed the
Waterhouse has rolled down the window so that he can get a clearer view; apparently someone has lost the Squeegee. The chill breeze washing over his face finally begins to clear away his seasickness, to the point where he begins to wonder how he should go about making contact with the Whore.
Then he realizes, with some disappointment, that if the Whore has half a brain in her head, she's across the island at the naval base.