Just as Lawrence Pritchard Waterhouse detrains, some rakehell hits him full in the face with a turn of brackish ice water. The barrage continues as he walks a gauntlet of bucket-slinging ne'er-do-wells. But then he realizes no one's there. This is just an intrinsic quality of the local atmosphere, like fog in London.
The staircase that leads over the tracks to Utter Maurby Terminal is enclosed with roof and walls, forming a gigantic organ pipe that resonates with an infrasonic throb as it is pummeled by wind and water. As he walks into the lower end of the staircase, the storm is suddenly peeled away from his face and he is able to stand there for a moment and give this phenom the full appreciation it deserves.
Wind and water have been whipped into an essentially random froth by the storm. A microphone held up in the air would register only white noise--a complete absence of information. But when that noise strikes the long tube of the staircase, it drives a physical resonance that manifests itself in Waterhouse's brain as a low hum. The physics of the tube extract a coherent pattern from meaningless noise! If only Alan were here!
Waterhouse experiments by singing the harmonics of this low fundamental tone: octave, fifth, fourth, major third, and so on. Each one resonates in the staircase to a greater or lesser degree. It is the same series of notes made by a brass instrument. By hopping from one note to another, Waterhouse is able to play some passable bugle calls on the staircase. He does a pretty decent reveille.
"How lovely!"
He spins around. A woman is standing behind him, lugging a portmanteau the size of a hay bale. She is perhaps fifty years old, with the physique of a stove, and she had a nice new big-city permanent until a few seconds ago when she stepped out of the train. Salt water is running down her face and neck and disappearing beneath her sturdy frock of grey Qwghlm wool.
"Ma'am," Waterhouse says. Then he busies himself with hauling her portmanteau up to the top of the stairs. This puts the two of them, and all of their luggage, on a narrow covered bridge that leads across the tracks and into the terminal building. The bridge has windows in it, and Waterhouse suffers a nauseating attack of vertigo as he looks through them, and through the half inch of rain and saltwater that is streaming down them at any given moment, towards the North Atlantic Ocean. This major body of water is only a stone's throw away and is trying vigorously to get much closer. This must be an optical illusion, but the tops of the waves appear to be level with the plane on which they're standing despite the fact that it's at least twenty feet off the ground. Each one of those waves must weigh as much as all of the freight trains in Great Britain combined, and they are rolling towards them relentlessly, simply hammering the living daylights out of the rocks. It all makes Waterhouse want to pitch a fit, fall down, and throw up. He plugs his ears.
"Are you a bandsman, then, I take it?" the lady enquires.
Waterhouse turns to look at her. Her gaze is darting back and forth around the front of his uniform, checking the insignia. Then she looks up into his face and gives him a grandmotherly smile.
Waterhouse realizes, in that instant, that this woman is a German spy. Holy cow!
"Only in peacetime, ma'am," he says. "The Navy has other uses, now, for men with good ears."
"Oh!" she exclaims, "you listen to things, do you?"
Waterhouse smiles. "Ping! Ping!" he says, mimicking sonar.
"Ah!" she says. "I am Harriett Qrtt." She holds out her hand.
"Hugh Hughes," Waterhouse says, and shakes.
"Pleasure.
"All mine.
"You'll be needing a place to stay, I suppose." She blushes ostentatiously. "Forgive me. I just assume you are bound for Outer." That's Outer, as in Outer Qwghlm. Right now, they are on Inner Qwghlm.
"Quite right, actually," Waterhouse says.
Like every other place name in the British Isles, Inner and Outer Qwghlm represent a gross misnomer with ancient and probably comical origins. Inner Qwghlm is hardly even an island; it is joined to the main land by a sandbar that used to come and go with the tides, but that has been beefed up with a causeway that carries a road and the railway line. Outer Qwghlm is twenty miles away.
"My husband and I operate a small bed and breakfast," Mrs. Qrtt says. "We should be honored to have an Asdic man stay with us." Asdic is simply the British acronym for what Yanks refer to as sonar, but every time the word is mentioned in the presence of Alan, he gets a naughty look on his face and goes on an unstoppable punning tear.