Henning is reminded of the last time he was heading the same way. A man he had interviewed decided to kill himself a few hours later, and both the police and the man’s relatives wanted to know if Henning had said something or had opened old wounds which might have pushed the man over the edge.
Henning remembers him well. Paul Erik Holmen, forty-something. Two million kroner mysteriously went missing from a company Holmen was working for and Henning had more than suggested that the extravagant vacation Holmen had just taken, combined with the renovation of the family’s holiday cabin in Eggedal, might explain the whereabouts of the missing money. His sources were reliable, obviously. Holmen’s guilty conscience and the fear of being locked up got too much for him and consequently Henning found himself in one of the many interview rooms at the police station.
They soon released him, but a couple of jealous reporters thought it was worth a paragraph or two. Fair enough, Henning could appreciate it was newsworthy to some extent even though Holmen would probably have topped himself anyway, but stories like that can be hard to shake off.
Human memory is selective, at best, and plain wrong at worst. When suspicions are raised or planted, it doesn’t take much for speculation to turn into fact and suspicion into a verdict. He has covered many murders where a suspect is brought in for questioning (i.e., arrested), usually from the victim’s close family (i.e., the husband), and all the evidence points to him. Later, the police find the real killer. In the meantime, the media circus has done its utmost to drag up anything in the husband’s past which might cast aspersions on his character. Trial by media.
In the short term, truth is a good friend, but the doubt never goes away. Not among people you don’t know. People remember what they want to remember. Henning suspects someone out there hasn’t forgotten his role in Paul Erik Holmen’s last act, but it doesn’t bother him. He has no problem living with what he did, even though the police gave him a bollocking for trying to do their job.
He is used to that.
Or, at least, he was.
Chapter 7
It feels odd to be back inside the grey building at number 44 Gronlandsleiret again. Once upon a time the police station was practically his second home; even the cleaners used to greet him. Now he tries to make himself as inconspicuous as possible, but is hampered by the burn scars on his face. He is aware that the other reporters are looking at him, but he ignores them. His plan is just to attend, listen to what the police have to say and then go back to the office to write — if, indeed, there is anything to write about.
He freezes the moment he enters the foyer. Nothing could have prepared him for the sight of the woman leaning towards a man who shows every sign of being a reporter. Dark corduroy jacket, suitably arrogant presence, the ‘did-everyone-see-the-scoop-I-pulled-off-yesterday’ expression. He sports designer stubble which makes his face look more sallow than it is. His thinning hair is gelled and swept back. But it’s the woman. Henning had never imagined he would see her, here, on his first day back.
Nora Klemetsen. Henning’s ex-wife. Jonas’s mother.
He hasn’t spoken to her since she visited him at Sunnaas Rehabilitation Centre. He forgets when it was. Perhaps he has suppressed it. But he’ll never forget her face. She couldn’t bear to look at him. He didn’t blame her. She had every right. He had been looking after Jonas, and he had failed to save him.
Their son.
Their lovely, lovely son.
They had already separated at that point. She only visited him at the hospital to finalise the divorce, to get his signature. She got it. No ulterior motives, no questions, no conditions. In a way, he was relieved. He couldn’t have coped with her in his life — a constant reminder of his own shortcomings. Every glance, every conversation would have been tarred with that brush.
They hadn’t said much to each other. He was desperate to tell her everything, tell her what he had done or failed to do, what he remembered of that night, but every time he breathed in and got ready to speak, his mouth dried up and he couldn’t utter a single word. Later, when he closed his eyes and daydreamed, he talked like a machine gun; Nora nodded, she understood, and afterwards she came to him and let him cry himself out in her lap while she ran her fingers through his hair.
He has been thinking he should try again, the next time he saw her, but now is clearly not the time. He is working. She is working. She is standing very close to some reporter — and she is laughing.
Bollocks.