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Dexter, thirteen years old, looked up at Ex and removed his gloved hands from the pockets of his Lakers jacket. He was unused to the weight of the gun, and he needed both hands to raise it.

Ex stared down the stubby barrel of the Bryco. He opened his mouth to say something, but it was lost in the roar of the gun. Ex toppled backward, his head striking the wire fence of the court as he fell and landed in a heap on the ground, his legs splayed against the back of the bench. Dexter looked down at him. The bullet had hit Ex in the chest, and he was bleeding from the mouth.

“Hey,” he whispered. He looked hurt, as if the young boy had just called him a bad name. “Hey, little man.”

Dexter fired the final shot, then walked away.

“Dexter? You okay?”

Braun nudged Dexter’s arm with an elbow.

“Yeah, I’m here. I’m here, man.”

“We got to go.”

“Yeah, we got to go.”

He took one last look at the kid on the corner-Hey, little man-then started the car and pulled away.

By coincidence, some twenty miles to the north, two men with a similar racial profile were also drinking coffee, except they had found a Starbucks and were drinking grande Americanos from big Starbucks mugs. One of them was Shepherd, the gray-haired man of few vices. His companion was named Tell. He was small and wiry, and he wore his hair in cornrows, like the basketball player Allen Iverson used to wear his, and probably for the same reason: because it made white folks uneasy. Tell was reading a newspaper. Tell was very conscientious about reading the newspaper every day. Unfortunately, that day’s newspaper happened to be a supermarket tabloid, and in Shepherd’s opinion, Tell could have been reading the back of a cornflakes box and been better informed. The gossip sheets weren’t big on analysis, and Shepherd liked to think of himself as an analytical kind of guy.

Two seats down from them, in the otherwise deserted coffee shop, an Arab was talking loudly on his cell phone, tapping his finger on the table before him to emphasize his points. In fact, he was talking so loudly that Shepherd wasn’t even certain that his phone was turned on. The guy behaved like he was trying to shout his message all the way to the Middle East, and was holding the cell phone only out of habit. He’d been talking like this for the better part of ten minutes, and Shepherd could see that Tell was getting pissed. He’d watched him start the same story about some has-been pop star’s face-lift three times already, which was once more than Tell usually needed to take in what he was reading. Truth be told, Shepherd was kind of unhappy about it himself. He didn’t like cell phones. People were rude enough as it was without having another excuse to be bad-mannered.

Tell looked up. “Hey, man,” he said to the Arab. “Can you keep it down?”

The Arab ignored him. This led Shepherd to suspect that the Arab was either very arrogant or very dumb, because Tell didn’t look even remotely like the kind of person you ignored. Tell looked like the kind of person who would remove your spine if you ignored him.

Tell’s face wore a puzzled expression as he leaned in closer to the Arab.

“I said, can you talk a little quieter, please? I’m trying to read my newspaper.”

Shepherd thought Tell was being very polite. It made him nervous.

“Go fuck yourself,” said the Arab.

Tell blinked, then folded his newspaper. Shepherd reached an arm across, holding his friend back.

“Don’t,” he said. Over at the counter, a barista was watching them with interest.

“You hear what that raghead motherfucker said?”

“I heard. Forget it.”

The Arab continued talking, even after he’d finished his coffee with a slurp. Tell stood, and Shepherd followed, blocking his partner’s access to the Arab. Tell bobbed on the balls of his feet for a second or two, then turned and walked out.

“Show’s over,” said Shepherd to the barista.

“I guess.” He sounded a little disappointed.

Tell was already waiting in the van across the street, his fingers tapping a rhythm on the steering wheel. Shepherd got in beside him.

“We going? You know, we got a schedule to keep.”

“No, we ain’t going yet.”

“Fine.”

They waited. Ten minutes later, the Arab emerged. He was still talking on his phone. He climbed into a black SUV, did a U-turn, and headed north.

“I hate SUVs,” said Tell. “They’re a top-heavy cab on a pickup’s chassis, they drive like shit, they’re dangerous, and they’re ecologically unsound.”

Shepherd just sighed.

Tell started the van and began following the SUV. They stayed with the Arab until he turned into an alleyway at the side of a trendy Middle Eastern restaurant. Tell parked, then opened the driver’s door and headed toward the alleyway. Shepherd followed.

“Hey, you prick.”

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В МИРЕ ПРОДАНО БОЛЕЕ 30 МИЛЛИОНОВ ЭКЗЕМПЛЯРОВ КНИГ ШАРЛОТТЫ ЛИНК.НАЦИОНАЛЬНЫЙ БЕСТСЕЛЛЕР ГЕРМАНИИ № 1.Шарлотта Линк – самый успешный современный автор Германии. Все ее книги, переведенные почти на 30 языков, стали национальными и международными бестселлерами. В 1999–2023 гг. снято более двух десятков фильмов и сериалов по мотивам ее романов.Несколько пропавших девушек, мертвое тело у горных болот – и ни единого следа… Этот роман – беспощадный, коварный, загадочный – продолжение мирового бестселлера Шарлотты Линк «Обманутая».Тело 14-летней Саскии Моррис, бесследно исчезнувшей год назад на севере Англии, обнаружено на пустоши у горных болот. Вскоре после этого пропадает еще одна девушка, по имени Амели. Полиция Скарборо поднята по тревоге. Что это – дело рук одного и того же серийного преступника? Становится известно еще об одном исчезновении девушки, еще раньше, – ее так и не нашли. СМИ тут же заговорили об Убийце с пустошей, что усилило давление на полицейских.Сержант Кейт Линвилл из Скотланд-Ярда также находится в этом районе, но не по службе – пытается продать дом своих родителей. Случайно она знакомится с отчаявшейся семьей Амели – и, не в силах остаться в стороне, начинает независимое расследование. Но Кейт еще не представляет, с какой жутью ей предстоит столкнуться. Под угрозой ее рассудок – и сама жизнь…«Линк вновь позволяет нам заглянуть глубоко в человеческие бездны». – Kronen Zeitung«И снова настоящий восторг из-под пера королевы криминального жанра Шарлотты Линк». – Hannoversche Allgemeine Zeitung«Шарлотта Линк – одна из немногих мировых литературных звезд из Германии». – Berliner Zeitung«Отличный, коварный, глубокий, сложный роман». – Brigitte«Шарлотте Линк снова удалось выстроить очень сложную, но связную историю, которая едва ли может быть превзойдена по уровню напряжения». – Hamburger Morgenpost«Королева саспенса». – BUNTE«Потрясающий тембр авторского голоса Линк одновременно чарует и заставляет стыть кровь». – The New York Times«Пробирает до дрожи». – People«Одна из лучших писательниц нашего времени». – Journal für die Frau«Мощные психологические хитросплетения». – Focus

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