Unwind

"Yeah, thanks," says Risa. He smirks at her. This kid is also dressed in Army clothes, but he's too scrawny to be a military boeuf. "What's with the clothes?"

"Army surplus," he says. "Stolen clothes for stolen souls."

Outside the hold, the light of day is blinding, and the heat hits Risa like a furnace. The ramp beneath her slopes to the ground, and she has to stare at her feet, squinting to keep from stumbling. By the time she reaches the ground, her eyes have adjusted enough to take in their surroundings. All around them, everywhere, are airplanes, but there's no sign of an airport—just the planes, row after row, for as far as the eye can see. Many are from airlines that no longer exist. She turns to look at the jet they just arrived on. It carries the logo of FedEx, but this craft is a sorry specimen. It seems about ready for the junkyard. Or, thinks Risa, the graveyard . . .

"This is nuts," one kid beside Risa grumbles. "It's not like this plane is invisible. They're going to know exactly where the plane has gone. We're going to be tracked here!"

"Don't you get it?" says Risa. "That jet was just decommissioned. That's how they do it. They wait for a decommissioned plane, then load us in as cargo. The plane was coming here anyway, so no one's going to miss it."

The jets rest on a barren hardpan of maroon earth. Distant red mountains poke up from the ground. They are somewhere in the Southwest.

There's a row of port-o-potties that already have anxious lines. The kids shepherding them count heads and try to maintain order in the disoriented group. One of them has a megaphone.

"Please remain under the wing if you're not using the latrine," he announces. "You made it this far, we don't want you to die of sunstroke."

Now that everyone's out of the plane, Risa desperately searches the crowd until she finally finds Connor. Thank God! She wants to go to him, but remembers that they've officially ended their fake romance. With two dozen kids between them, they briefly make eye contact, and exchange a secret nod. That nod says everything. It says that what happened between them yesterday is history; today, everything starts fresh.

Then she sees Roland there as well. He meets her eye and gives her a grin.

That grin says things too. She looks away, wishing he had been in the suffocation crate. She considers feeling guilty for such a nasty wish, then realizes that she doesn't feel guilty for wishing it at all.

A golf cart comes rolling down the rows of airliners, kicking up a plume of red dust in its wake. The driver is a kid. The passenger is clearly military. Not military surplus, either—he's the real thing. Instead of green or khaki, he's in navy blue. He seems accustomed to the heat—even in his hot uniform, he doesn't appear to sweat. The cart stops before the gathered hoard of juvenile refugees.

The driver steps out first, and joins the four kids who had been leading them. The loud kid raises his megaphone. "May I have your attention! The Admiral is about to address you. If you know what's good for you, you'll listen."

The man steps out of the golf cart. The kid offers him the megaphone, but he waves it away. His voice needs no amplification. "I'd like to be the first to welcome you to the graveyard."

The Admiral is well into his sixties, and his face is full of scars. Only now does Risa realize that his uniform is one from the war. She can't recall whether these were the colors of the pro-life or pro-choice forces, but then, it doesn't really matter. Both sides lost.

"This will be your home until you turn eighteen or we procure a permanent sponsor willing to falsify your identification. Make no mistake about it: What we do here is highly illegal, but that does not mean we don't follow the rule of law. My law."

He pauses, making eye contact with as many kids as he can. Perhaps it's his goal to memorize each and every face before his speech is done. His eyes are sharp, his focus intense. Risa believes he can know each of them just by a single sustained glance. It's intimidating and reassuring at the same time. No one will fall between the cracks in the Admiral's world.

"All of you were marked for unwinding yet managed to escape, and, through the help of my many associates, you have found your way here. I don't care who you were. I don't care who you'll be when you leave here. All I care about is who you are while you're here—and while you're here, you will do what is expected of you."

A hand goes up in the crowd. It's Connor. Risa wishes it wasn't. The Admiral takes time to study Connor's face before saying, "Yes?"

"So . . . who are you, exactly?"