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She's surprised to find about a dozen other kids in the truck, all distrustful and scared. Roland's still the biggest, and he solidifies his position by making another kid move, even though there's plenty of other places to sit.

The delivery truck is a hard, cold, metal box. It once had a refrigeration unit to keep the ice cream cold, but that's gone along with the ice cream. Still, it's freezing in there, and it smells of spoiled dairy. The driver closes and locks the back doors, sealing out the sound of the baby, who Risa can still hear crying. Even after the door is closed, she thinks she can still hear it, although it's probably just her imagination.

The ice cream truck bounces along the uneven streets. The way the truck sways, their backs are constantly smacked against the wall behind them.

Risa closes her eyes. It makes her furious that she actually misses the baby.

It was thrust upon her at the worst possible moment in her life—why should she have any regret about being rid of it? She thinks about the days before the Heartland War, when unwanted babies could just be unwanted pregnancies, quickly made to go away. Did the women who made that other choice feel the way she felt now? Relieved and freed from an unwelcome and often unfair responsibility . . . yet vaguely regretful?

In her days at the state home, when she was assigned to take care of the infants, she would often ponder such things. The infant wing had been massive and overflowing with identical cribs, each containing a baby that nobody had wanted, wards of a state that could barely feed them, much less nurture them.

"You can't change laws without first changing human nature," one of the nurses often said as she looked out over the crowd of crying infants. Her name was Greta. Whenever she said something like that, there was always another nurse within earshot who was far more accepting of the system and would counter with, "You can't change human nature without first changing the law." Nurse Greta wouldn't argue; she'd just grunt and walk away.

Which was worse, Risa often wondered—to have tens of thousands of babies that no one wanted, or to silently make them go away before they were even born? On different days Risa had different answers.

Nurse Greta was old enough to remember the days before the war, but she rarely spoke of them. All her attention was given to her job, which was a formidable one, since there was only one nurse for every fifty babies. "In a place like this you have to practice triage," she told Risa, referring to how, in an emergency, a nurse had to choose which patients would get medical attention.

"Love the ones you can," Nurse Greta told her. "Pray for the rest." Risa took the advice to heart, and selected a handful of favorites to give extra attention. These were the ones Risa named herself, instead of letting the randomizing computer name them. Risa liked to think she had been named by a human being instead of by a computer. After all, her name wasn't all that common. "It's short for sonrisa," a Hispanic kid once told her. "That's Spanish for 'smile.'" Risa didn't know if she had any Hispanic blood in her, but she liked to think she did. It connected her to her name.

"What are you thinking about?" Connor asks, tearing her out of her thoughts and bringing her back to the uneasy reality around them.

"None of your business.''

Connor doesn't look at her—he seems to be focusing on a big rust spot on the wall, thinking. "You okay about the baby?" he asks.

"Of course." Her tone is intentionally indignant, as if the question itself offended her.

"Hannah will give her a good home," Connor says. "Better than us, that's for sure, and better than that beady-eyed cow who got storked." He hesitates for a moment, then says, "Taking that baby was a massive screwup, I know—but it ended okay for us, right? And it definitely ended better for the baby."

"Don't screw up like that again," is all Risa says.

Roland, sitting toward the front, turns to the driver and asks, "Where are we going?"

"You're asking the wrong guy," the driver answers. "They give me an address. I go there, I look the other way, and I get paid."

"This is how it works," says another kid who had already been in the truck when it arrived at Sonia's. "We get shuffled around. One safe house for a few days, then another, and then another. Each one is a little bit closer to where we're going."

"You gonna tell us where that is?" asks Roland.

The kid looks around, hoping someone else might answer for him, but no one comes to his aid. So he says, "Well, it's only what I hear, but they say we end up in a place called . . . the graveyard."'

No response from the kids, just the rattling of the truck.

The graveyard. The thought of it makes Risa even colder. Even though she's curled up knees to chest, arms wrapped tight around her like a straitjacket, she's still freezing. Connor must hear the chattering of her teeth, because he puts his arm around her.

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 Те, кто помнит прежние времена, знают, что самой редкой книжкой в знаменитой «мировской» серии «Зарубежная фантастика» был сборник Роберта Шекли «Паломничество на Землю». За книгой охотились, платили спекулянтам немыслимые деньги, гордились обладанием ею, а неудачники, которых сборник обошел стороной, завидовали счастливцам. Одни считают, что дело в небольшом тираже, другие — что книга была изъята по цензурным причинам, но, думается, правда не в этом. Откройте издание 1966 года наугад на любой странице, и вас затянет водоворот фантазии, где весело, где ни тени скуки, где мудрость не рядится в строгую судейскую мантию, а хитрость, глупость и прочие житейские сорняки всегда остаются с носом. В этом весь Шекли — мудрый, светлый, веселый мастер, который и рассмешит, и подскажет самый простой ответ на любой из самых трудных вопросов, которые задает нам жизнь.

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